Emily Remler's 'Transitions' had a release date set for March 31, 1984. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Transitions (Reissue)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Transitions is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Transitions by Emily Remler having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darn That Dream | Lage Lund | G Major | 3 | 9B | 108 BPM | ||
| Alone Together | Pat Martino | A Minor | 2 | 8A | 126 BPM | ||
| Trictatism (12) | Oscar Pettiford | D♭ Major | 2 | 3B | 181 BPM | ||
| Blues And The Abstract Truth | Oliver Nelson, Daniel Moore | G Minor | 6 | 6A | 116 BPM | ||
| My Old Flame | Tal Farlow | G Minor | 3 | 6A | 69 BPM | ||
| Midnight Voyage | Michael Brecker | C Minor | 3 | 5A | 126 BPM | ||
| Cisco (Live at the 4 Queens, Las Vegas, May 28, 1984) | Emily Remler | B♭ Major | 5 | 6B | 118 BPM | ||
| Hot House/What Is This Thing Called Love? (Live at the 4 Queens, Las Vegas, May 28, 1984) | Emily Remler | E♭ Major | 4 | 5B | 120 BPM | ||
| (I Don't Stand) A Ghost Of A Chance | Bobby Timmons Trio | C Major | 1 | 8B | 93 BPM | ||
| Ornithology | Bud Powell | G Minor | 3 | 6A | 88 BPM | ||
| I Can't Get Started | Mimi Fox | C Major | 0 | 8B | 113 BPM | ||
| Minority | Art Blakey | F Minor | 5 | 4A | 119 BPM | ||
| Softly As In A Morning Sunrise - Rudy Van Gelder 24Bit Mastering/Digital Remaster/1998 | Larry Young | F Minor | 7 | 4A | 117 BPM | ||
| All Or Nothing At All | John Coltrane Quartet | G Major | 4 | 9B | 92 BPM | ||
| This Here | Bobby Timmons | F Major | 5 | 7B | 95 BPM | ||
| The Cool One | Art Farmer & Benny Golson Jazztet | B Minor | 2 | 10A | 127 BPM | ||
| A Certain Smile | Ted Greene | E♭ Major | 1 | 5B | 80 BPM | ||
| Have You Met Miss Jones? | Jimmy Bruno | F Major | 1 | 7B | 97 BPM | ||
| My One and Only Love | Ben Monder | D♭ Major | 2 | 3B | 87 BPM | ||
| Lover Man | Howard Roberts | D Minor | 2 | 7A | 114 BPM | ||
| Joy Spring - Live | Emily Remler | F♯ Major | 4 | 2B | 119 BPM | ||
| Old Devil Moon - From Finian's Rainbow | McCoy Tyner Trio | B♭ Major | 3 | 6B | 146 BPM | ||
| E.S.P. | Jonathan Kreisberg | G Minor | 2 | 6A | 111 BPM | ||
| Around The Corner | Barry Harris Trio | G Minor | 2 | 6A | 91 BPM | ||
| Someday My Prince Will Come (Live at the 4 Queens, Las Vegas, September 19, 1988) | Emily Remler | E♭ Major | 4 | 5B | 120 BPM |