The Scarring Party's 'Come What May' had a release date set for February 25, 2016. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Come What May's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in End Times by The Scarring Party. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. The popularity of Come What May is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Come What May by The Scarring Party is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| House Cats | Skittish | D♭ Minor | 9 | 12A | 168 BPM | ||
| Mean Mean Man | Blair Crimmins and The Hookers | B Minor | 8 | 10A | 211 BPM | ||
| Killing Light | Holy Locust | C Minor | 6 | 5A | 142 BPM | ||
| Vaudevillain | Ghostfire | A Minor | 8 | 8A | 132 BPM | ||
| Ya Said Ya Loved Me | Juke Baritone | G Major | 9 | 9B | 191 BPM | ||
| Psychosis | Amanda Jayne | F Minor | 8 | 4A | 99 BPM | ||
| Wishing Well | Charming Disaster | F Major | 4 | 7B | 108 BPM | ||
| Sea Song (Mare Carmen) | Walter Sickert & The Army Of Broken Toys | A Minor | 5 | 8A | 154 BPM | ||
| Ganef | Vagabond Opera | C Major | 2 | 8B | 95 BPM | ||
| The Headless Waltz | Aurelio Voltaire | G Minor | 9 | 6A | 120 BPM | ||
| Dance Macabre | Cousin Boneless | D♭ Minor | 5 | 12A | 139 BPM | ||
| Devil's Flesh & Bones | Eliza Rickman | E♭ Minor | 3 | 2A | 106 BPM | ||
| Rusty Bed | Juke Baritone | E Minor | 10 | 9A | 131 BPM | ||
| Through Ten Walls | Mishkin Fitzgerald | F Major | 5 | 7B | 120 BPM | ||
| The Hungry Hand | The Scarring Party | D♭ Minor | 6 | 12A | 100 BPM | ||
| The Last Steampunk Waltz | Ghostfire | A Minor | 6 | 8A | 114 BPM | ||
| The Reaper | White Ghost Shivers | D Major | 6 | 10B | 109 BPM | ||
| Hallelujah | The Haunted Windchimes | B Minor | 2 | 10A | 121 BPM | ||
| Orphans Lament | The Urban Voodoo Machine | A Minor | 5 | 8A | 117 BPM | ||
| Worried Ugly | Harlequin Jones | E Minor | 6 | 9A | 122 BPM | ||
| Raining Pianos | The Circus Contraption Band | C Major | 5 | 8B | 99 BPM | ||
| Birds With Broken Wings | Ben Caplan | D♭ Minor | 8 | 12A | 125 BPM | ||
| Swallowed By Sin | Those Poor Bastards | D Major | 3 | 10B | 100 BPM | ||
| Losing Teeth | The Scarring Party | C Minor | 6 | 5A | 90 BPM | ||
| Ghost Of Stephen Foster | Squirrel Nut Zippers | A Major | 9 | 11B | 141 BPM |