Barbra Lica's ' "Hello from My Basement" was released on its scheduled release date, September 25, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Hello from My Basement and no other songs are present in the album, we classify this track as a single. On top of that, Canada appears to be the country where this track was created. Hello from My Basement is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hello from My Basement by Barbra Lica to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The First Time Ever I Saw Your Face | Kandace Springs | D Minor | 2 | 7A | 110 BPM | ||
| Sepia Hour Waltz | MEOW JAZZ | C Minor | 2 | 5A | 105 BPM | ||
| A Hometown Song | Amanda Ginsburg, Andy Fite | C Minor | 2 | 5A | 105 BPM | ||
| Sentimental Journey | Renee Olstead | F Major | 2 | 7B | 90 BPM | ||
| I Cried for You | Ellen Andersson, Oilly Wallace | G Major | 1 | 9B | 168 BPM | ||
| At the End of the Day | Caleb Dinger | E♭ Major | 1 | 5B | 77 BPM | ||
| Meet You At The Moon | Imelda May | F Major | 3 | 7B | 178 BPM | ||
| Autumn Breeze | Kaiak, Viktoria Tolstoy | G Major | 3 | 9B | 80 BPM | ||
| At Last | Malene Mortensen | F Major | 1 | 7B | 62 BPM | ||
| Three Cigarettes in an Ashtray | Lisa Bassenge | F Major | 1 | 7B | 83 BPM | ||
| Your Mind Is on Vacation (And Your Mouth Is Working Overtime) | Lyambiko | F Major | 5 | 7B | 120 BPM | ||
| Blue Monday | Barbra Lica | B Major | 3 | 1B | 89 BPM | ||
| Much Rain | TICO DE MORAES, Alexander Raichenok | F Major | 3 | 7B | 180 BPM | ||
| Softly Lit | Clover Keys Music | A Minor | 2 | 8A | 122 BPM | ||
| Bye Bye Blackbird | Nicole Atkins | A Major | 2 | 11B | 79 BPM | ||
| Tea For Two | Sarah McKenzie | D♭ Major | 5 | 3B | 105 BPM | ||
| Azure-Te (Paris Blues) | Hetty Kate | F♯ Major | 1 | 2B | 85 BPM | ||
| How About You | Nellie McKay | B♭ Major | 1 | 6B | 146 BPM | ||
| Keeps Getting Better | Katherine Nagy | D♭ Major | 5 | 3B | 130 BPM | ||
| Big in Japan | Heather Rigdon | A Major | 5 | 11B | 200 BPM | ||
| Cry My Tears | Gerd Lovise Åleskjær | C Major | 3 | 8B | 142 BPM | ||
| You Don't Have To Say You Love Me | Shelby Lynne | A Major | 2 | 11B | 130 BPM | ||
| So Long, You Fool | Sophie Milman | G Major | 3 | 9B | 92 BPM | ||
| Chamomile Tea | Andrew Farstar | F Minor | 3 | 4A | 172 BPM | ||
| Love is Easy | Emma Nabarro-Steel | C Minor | 1 | 5A | 139 BPM |