"Returning Home" by Deborah Lurie had its release date on January 1, 2010. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Returning Home's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Dear John by Deborah Lurie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Returning Home is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Returning Home by Deborah Lurie is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hope for a Better Future | Maurizio Malagnini | F Minor | 2 | 4A | 117 BPM | ||
| Andrew and Natasha in Love | Jan A.P. Kaczmarek | C Major | 2 | 8B | 77 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| The Shells | Stephen Warbeck | G Minor | 1 | 6A | 85 BPM | ||
| A Brief History of Time | Jóhann Jóhannsson | D Major | 1 | 10B | 94 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Tim's Eyes | Angelo Milli | B Minor | 0 | 10A | 105 BPM | ||
| The Whole of Humanity | Steven Price | F Minor | 1 | 4A | 88 BPM | ||
| Echoes in Time | Astrid Voix | D Major | 0 | 10B | 85 BPM | ||
| Kiss Goodnight | Deborah Lurie | G Major | 2 | 9B | 154 BPM | ||
| Aerial | Keith Kenniff | F♯ Minor | 1 | 11A | 127 BPM | ||
| The Last Goodbye | Aaron Zigman | F Major | 0 | 7B | 84 BPM | ||
| Seven Days Seven Seconds | Angelo Milli | B Minor | 0 | 10A | 62 BPM | ||
| The Barn | Deborah Lurie | F♯ Major | 1 | 2B | 73 BPM | ||
| Chat with Chuck | John Paesano, Pete Anthony, American Federation of Musicians | A Minor | 0 | 8A | 68 BPM | ||
| Remembering | Giles Lamb | C Major | 1 | 8B | 107 BPM | ||
| Colin and Marilyn | Conrad Pope | B♭ Minor | 0 | 3A | 135 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| The Kiss - Score | John Debney | A Major | 1 | 11B | 40 BPM | ||
| Apprenticed | Carter Burwell | D Major | 0 | 10B | 179 BPM | ||
| An Early Sunrise | Randy Edelman | F Major | 1 | 7B | 75 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| A Real Fright | Kevin Smuts | D Minor | 1 | 7A | 92 BPM | ||
| I Let Her Go | Geoff Zanelli | F♯ Minor | 1 | 11A | 93 BPM | ||
| Treats From Cate | Jan A.P. Kaczmarek | A Minor | 0 | 8A | 86 BPM |