Norma Bengell's ' "Hó-Bá-Lá-Lá" was released on its scheduled release date, January 1, 2010. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Hó-Bá-Lá-Lá's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 26 in Chega de Saudade by João Gilberto. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Hó-Bá-Lá-Lá's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Hó-Bá-Lá-Lá by Norma Bengell is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vale o Escrito | Leny Andrade | C Minor | 8 | 5A | 107 BPM | ||
| Saudade Demais | Arthur Verocai, Toninho Horta | G Major | 6 | 9B | 134 BPM | ||
| Reza | Tamba 4 | C Major | 4 | 8B | 196 BPM | ||
| Dear Heart | Henrry Mancini, Ray Evans, Jay Livingston, Orquestra Românticos de Cuba | D Major | 3 | 10B | 99 BPM | ||
| A Fábrica | Sérgio Ricardo | F Minor | 4 | 4A | 96 BPM | ||
| Ah! Se Eu Pudesse | Lucio Alves | C Major | 2 | 8B | 117 BPM | ||
| Dor de cotovelo | Elis Regina | F♯ Minor | 5 | 11A | 97 BPM | ||
| Oticumana | Manduka | E Minor | 3 | 9A | 92 BPM | ||
| My Love Waits (O Meu Amor Espera) | Duke Pearson | C Major | 4 | 8B | 125 BPM | ||
| Dressed in Chords | Casa Rio | G Minor | 2 | 6A | 131 BPM | ||
| De Pilantra E De Poeta | Doris Monteiro | A Major | 7 | 11B | 140 BPM | ||
| Pregao | Tamba 4 | G Major | 3 | 9B | 91 BPM | ||
| Opção | Clara Nunes | B♭ Minor | 6 | 3A | 145 BPM | ||
| N'biri N'biri | Marku Ribas | B Minor | 8 | 10A | 132 BPM | ||
| Acústico | Paulo Diniz | E Minor | 3 | 9A | 80 BPM | ||
| Onde E Que Voce Estava | Nara Leão | C Major | 6 | 8B | 91 BPM | ||
| No Próprio Chão | Claudya | C Minor | 2 | 5A | 110 BPM | ||
| Doralinda | João Donato | E Minor | 4 | 9A | 120 BPM | ||
| Em Acalanto | Ana Mazzotti | B♭ Major | 0 | 6B | 180 BPM | ||
| E fim | Sonia Rosa | F♯ Major | 3 | 2B | 99 BPM | ||
| Salgueiro Chorão | Bebeto Castilho | A Major | 3 | 11B | 73 BPM | ||
| Joyce's Samba - 24-Bit Mastering | Cannonball Adderley, The Bossa Rio Sextet | G Major | 3 | 9B | 132 BPM | ||
| Lírica II (Pra Mulher Amada) | Egberto Gismonti | A Minor | 4 | 8A | 87 BPM | ||
| Adriana | Wanda Sá | E Minor | 6 | 9A | 87 BPM | ||
| Nocturno - Digitally Remastered | Laurindo Almeida, Bud Shank | E Minor | 2 | 9A | 141 BPM |