Ravindra Sathe's ' "Majhya Ekmukhi Duttachi" was released on its scheduled release date, January 1, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 8 in Digambara Digambara Shripad Vallabh Digambara by Traditional. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Majhya Ekmukhi Duttachi is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Majhya Ekmukhi Duttachi by Ravindra Sathe is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Aye Malik Tere Bande | Rajasree Mukherjee and Shromona Mukherjee | G Minor | 4 | 6A | 87 BPM | ||
| Mara Ghat Ma Birajta Shrinathji | Aishwarya Majmudar | D Major | 6 | 10B | 151 BPM | ||
| Aarti Kunj Bihari Ki | Trisha Parui | D♭ Major | 7 | 3B | 124 BPM | ||
| Radhika Gori Se Biraj Ki Chori Se - Zee Music Devotional | Amjad Nadeem, Mani | D♭ Major | 5 | 3B | 90 BPM | ||
| Parvatichya Bala | Ssuryakant Shinde | G Major | 7 | 9B | 100 BPM | ||
| Suvarnamaala Sthuthi | G. Gayathri Devi, Saindhavi | D Major | 6 | 10B | 149 BPM | ||
| Bansi Bajaiya | Sankalp Yaduwanshi, Pankaj VRK | E♭ Major | 7 | 5B | 93 BPM | ||
| Janki Stuti | Sonika Sharma Agarwal | E♭ Major | 5 | 5B | 110 BPM | ||
| Radha Kripa Kataksha | Mayuri Gandharvika | A♭ Major | 7 | 4B | 144 BPM | ||
| Ughadya Dolyani Baghshil Tu Saileela | Omkar Mahadik | E♭ Minor | 8 | 2A | 120 BPM | ||
| लिङ्गाष्टकम् | Harindu | E♭ Major | 3 | 5B | 105 BPM | ||
| Lalbagchya Raja Darshan De Tu Amhar | Shakuntala Jadhav | A♭ Minor | 7 | 1A | 80 BPM | ||
| Bhavani Stuti | Ashit Desai, Hema Desai | F♯ Minor | 4 | 11A | 110 BPM | ||
| Jai Hanumant Sant Hitkari | Vineet Mohan Sharma | F♯ Major | 8 | 2B | 120 BPM | ||
| Jya Sukha Karne Dev Vedavala | Arvind Mohite | A Minor | 5 | 8A | 95 BPM | ||
| Bhavevin Bhakti (Haripath) - From "Sant Dnyaneshwaranchi Muktaai" | Avadhoot Gandhi, Srujan Kulkarni, Santsreshtha Shree Dnyaneshwar Maharaj | F Major | 4 | 7B | 72 BPM | ||
| Aigiri Nandini - Mahishasura Mardini Stuti | Srinivas | C Minor | 8 | 5A | 116 BPM | ||
| Maa Baapne Bhulso Nahin | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 128 BPM | ||
| Vaari Chukayachi Nahi | Avadhoot Gandhi | E Major | 5 | 12B | 81 BPM | ||
| Murli Manohar Mohan Murari | Lakshay Malhotra | F♯ Major | 5 | 2B | 92 BPM | ||
| Achutam Keshavam | Vikram Hazra | D Major | 5 | 10B | 93 BPM | ||
| Tarak Mantra - Nishank Hoi Re Mana Nirbhaya Hoi Re Mana | Shubhangii Kedar | D Major | 3 | 10B | 148 BPM | ||
| Bappa Moraya Re | Prahlad Shinde | A Minor | 6 | 8A | 70 BPM | ||
| Kali Chalisa | Rattan Mohan Sharma | F Minor | 6 | 4A | 152 BPM |