"High Lonesome" by Adam Torres had its release date on September 9, 2016. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Pearls to Swine". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, High Lonesome's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With High Lonesome by Adam Torres having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Weekend | Dave Rawlings Machine | C Major | 3 | 8B | 136 BPM | ||
| Hanson St, Pt. 2 (A River) | Nadia Reid | D♭ Major | 2 | 3B | 111 BPM | ||
| Cormorant Bird | Fionn Regan | F♯ Minor | 2 | 11A | 100 BPM | ||
| Come Together | Shannon Lay | G Major | 1 | 9B | 92 BPM | ||
| I Can See Your Tracks (Instrumental) | Laura Veirs | C Minor | 0 | 5A | 64 BPM | ||
| Iago | Songs of Boda | E♭ Major | 3 | 5B | 91 BPM | ||
| Miss Ohio | Craig Cardiff | E Major | 2 | 12B | 71 BPM | ||
| Melinda Down the Line | Ian Fitzgerald | F Major | 3 | 7B | 93 BPM | ||
| Foreign Town | Austin Basham | C Major | 4 | 8B | 124 BPM | ||
| That's How I Got to Memphis | Karl Blau | E Major | 6 | 12B | 111 BPM | ||
| Lightning and Thunder | Dylan LeBlanc | D Major | 2 | 10B | 131 BPM | ||
| If You've Gotta Go, Go Now - Bonus Track | J. Tillman | G Major | 2 | 9B | 87 BPM | ||
| Satisfied Mind | Eau Claire Memorial Jazz I, Justin Vernon | B♭ Major | 2 | 6B | 108 BPM | ||
| I Am Mine (Acoustic) | Beta Radio | B♭ Major | 3 | 6B | 120 BPM | ||
| Small Window | Luluc | A♭ Major | 2 | 4B | 132 BPM | ||
| Rosine | Pieta Brown, Mike Lewis | C Major | 3 | 8B | 86 BPM | ||
| Journey Through The Past | James Mercer | D Major | 3 | 10B | 172 BPM | ||
| The Rains | Henry Jamison | F♯ Major | 4 | 2B | 117 BPM | ||
| My Dove, My Lamb | Phosphorescent | G Major | 3 | 9B | 69 BPM | ||
| Lost Dreamers | Mutual Benefit | C Major | 3 | 8B | 136 BPM | ||
| Pieces of You | Ben Sollee | F♯ Minor | 2 | 11A | 103 BPM | ||
| Black Muddy River | Bruce Hornsby, DeYarmond Edison | G Major | 3 | 9B | 113 BPM | ||
| Should I | Arum Rae | B♭ Major | 1 | 6B | 73 BPM | ||
| Destitute | Christopher Paul Stelling | C Major | 6 | 8B | 109 BPM | ||
| Whatever, Wherever | Band of Horses | G Major | 4 | 9B | 119 BPM |