On April 9, 2020, the song "Kiye Chhor Ke Gayo" was released by Nitesh Raman. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nitesh Raman,Sangita's "Hamar Kaniya" album is number 8 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Kiye Chhor Ke Gayo is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kiye Chhor Ke Gayo by Nitesh Raman to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tai Aakas Ke Ban Ja Suruj | Mamta Chandrakar, Mithalesh, Kuleshwar Patel | F Major | 7 | 7B | 97 BPM | ||
| JAB MAAT YASHODA NANND JI LAL PA GAYE | Nitesh Raman, Chandra-Surya | E♭ Minor | 7 | 2A | 152 BPM | ||
| Angrezee Bhasha Mein | Abhijeet, Poornima | C Major | 8 | 8B | 97 BPM | ||
| Sawan Mein Dhar Chahe Bhado Mein Dhar | Suresh Anand, Nitesh Raman, Priya Bhatacharya, Shridayal, Subhash Ranjan | F Minor | 9 | 4A | 75 BPM | ||
| Hay Mor Chandni | Nitin Dubey | D♭ Major | 8 | 3B | 136 BPM | ||
| Kuch Hua Re Hua Re | Babul Supriyo, Poornima | B Major | 8 | 1B | 138 BPM | ||
| Aabe Ke Nahi Bata De | Kavita Vasnik, Mahadev Hirwani | F Minor | 7 | 4A | 83 BPM | ||
| Woh Chanchal Haseena | Roop Kumar Rathod | F Major | 10 | 7B | 120 BPM | ||
| Tujhe Bhangiya Pilaunga Mein | Suresh Anand, Kalpana Patowary, Priya Bhatacharya, Nitesh Raman | E Major | 6 | 12B | 93 BPM | ||
| Tohara Chadhaib Ge Beti (Hardi) | Sharda Sinha | F♯ Major | 4 | 2B | 83 BPM | ||
| Te Agas Ke Ban Ja | Sonu Nigam, Mamta Chandrakar | F Major | 7 | 7B | 98 BPM | ||
| Ghar Ghar Me Tiranga Laharao | Nitesh Raman | B Minor | 7 | 10A | 142 BPM | ||
| Hanth Pakad Kea | Blair Sangeet Constance, Nitesh Raman | D♭ Minor | 6 | 12A | 106 BPM | ||
| Laage Laage | Mamta Sahu | F Minor | 9 | 4A | 157 BPM | ||
| Chacha Hamre Mathwa Pe | Indu Sonali, Pranali, Rajesh Jha, Rihabh | B♭ Major | 6 | 6B | 78 BPM | ||
| Raja Ji Sawanwa Mein Kanwar Uthali | Suresh Anand, Nitesh Raman, Priya Bhatacharya, Shridayal, Subhash Ranjan | F♯ Major | 7 | 2B | 156 BPM | ||
| Bhola Ke Dhaam Chala | Sunil Chhaila Bihari, Kalpana Patowary | D Major | 7 | 10B | 151 BPM | ||
| Tota Tota (With Jhankar Beats) | Lata Mangeshkar, S. P. Balasubrahmanyam | F Major | 3 | 7B | 96 BPM | ||
| Chode Naag Foofkari Nandi Bela Sawari | Suresh Anand, Nitesh Raman, Priya Bhatacharya, Shridayal, Subhash Ranjan | F Minor | 9 | 4A | 75 BPM | ||
| Anganiya Vich Tulsi Lagaibo Hari | Hemlata | C Major | 8 | 8B | 82 BPM | ||
| O Aayee Aayee Re | Suresh Wadkar, Anuradha Paudwal | G Major | 7 | 9B | 88 BPM | ||
| Ye Re Andekhana | Prem Anand Chauhan | A♭ Major | 10 | 4B | 145 BPM | ||
| Raat Teen Baje | Bali Brahmbhatt, Sapna Mukherjee | B♭ Minor | 10 | 3A | 111 BPM | ||
| Aankhon Mein Bas Gayi Hai | Bela Sulakhe, Soham Chakraborty, Kalpana Patowary, Shailaja, Nitesh Raman, Upendra, Moon Thakur, Rajesh Jha | G Major | 6 | 9B | 84 BPM | ||
| Murliwale ki Murli | Nitesh Raman, Chandra-Surya | D Major | 9 | 10B | 82 BPM |