"Forever Gone" by Jim Snidero had its release date on September 24, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Strings". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Forever Gone is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Forever Gone by Jim Snidero having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruth | Joe Chambers | C Major | 2 | 8B | 74 BPM | ||
| April Calling | Sand Quartet | F Minor | 2 | 4A | 109 BPM | ||
| I awake | Ikigai | G Minor | 1 | 6A | 80 BPM | ||
| Blues for a Lost Love | Reed Stricklers | F Major | 1 | 7B | 94 BPM | ||
| Largo | Portraits in Jazz, Claus Waidtløw, Nikolaj Hess | G Minor | 2 | 6A | 104 BPM | ||
| The Morning Light | Billy Hicks Quartet | B Minor | 2 | 10A | 97 BPM | ||
| The next day | South North | B♭ Major | 1 | 6B | 123 BPM | ||
| For All We Know | Karl-Martin Almqvist, Carl Winther | F Major | 2 | 7B | 60 BPM | ||
| What Are You Doing The Rest Of Your Life? | Bill Charlap Trio | A Minor | 0 | 8A | 92 BPM | ||
| Beloved Dance | Isac Solo Trio | F Major | 2 | 7B | 88 BPM | ||
| Velvet | Portraits in Jazz, Nikolaj Hess, Claus Waidtløw | F Major | 2 | 7B | 88 BPM | ||
| Bird Feathers | Jim Snidero | D♭ Major | 4 | 3B | 80 BPM | ||
| Sunset Stroll | Urban Jazz Junction | B♭ Major | 1 | 6B | 112 BPM | ||
| Glencoe Sketches | Saphena Trio | B♭ Major | 1 | 6B | 114 BPM | ||
| Desire | Gillian Spencer Trio | B♭ Minor | 1 | 3A | 81 BPM | ||
| Mystique No. 12 | Örjan Hultén Orion, Örjan Hultén, Torbjörn Gulz, Filip Augustson, Peter Danemo | F♯ Major | 3 | 2B | 134 BPM | ||
| Old Folks | The Modern Jazz Trio, Rick Margitza | D♭ Major | 4 | 3B | 83 BPM | ||
| May I Ask | Reverie Trio | A♭ Major | 1 | 4B | 86 BPM | ||
| Afro-Centric | Jim Snidero | F Minor | 6 | 4A | 121 BPM | ||
| Solitude | Ari Bragi Kárason, Karl-Martin Almqvist, Carl Winther, Anders Mogensen | A♭ Major | 1 | 4B | 118 BPM | ||
| Nefertiti | Thomas Hass, Thomas Blachman, Thomas Fonnesbæk, Artur Tuźnik | D♭ Major | 2 | 3B | 98 BPM | ||
| For All We Know | Jim Snidero | A♭ Major | 4 | 4B | 125 BPM | ||
| Him, a Bull? Ha! A Bird | The New York Second, Teus Nobel, Harald Walkate, Max Sergeant, Thomas Pol, Jesse Schilderink, Mark Alban Lotz, Vincent Veneman | D♭ Major | 2 | 3B | 98 BPM | ||
| Moons Ago | Dominik Schürmann trio, Max Ionata | G Major | 0 | 9B | 78 BPM | ||
| She's A Class Act | Odo Lefebvre | C Major | 1 | 8B | 115 BPM |