Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey's 'Trial by Jury: "That Seems a Reasonable Proposition"' had a release date set for January 1, 2001. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vintage Gilbert & Sullivan - Two Complete Operettas: The Mikado & Trial By Jury by Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey. The song's track number on the album is #28 out of 53 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Trial by Jury: "That Seems a Reasonable Proposition"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Trial by Jury: "That Seems a Reasonable Proposition" by Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Trial by Jury: "That Seems a Reasonable Proposition" being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| 27. Ah, leave me not to pine alone and desolate | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Valerie Masterson, Philip Potter | G Major | 0 | 9B | 84 BPM | ||
| Die Csardasfürstin: Weißt du es noch | Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Minor | 2 | 5A | 81 BPM | ||
| 1. Pour, oh pour the pirate sherry | Arthur Sullivan, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 3 | 5B | 96 BPM | ||
| Già il sole dal Gange | Alessandro Scarlatti, Ramón Vargas | A Major | 2 | 11B | 75 BPM | ||
| Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!") | Kurt Weill, Wolfgang Neuss, Johanna von Koczian, Inge Wolffberg, Wilhelm Brückner-Rüggeberg | C Major | 2 | 8B | 119 BPM | ||
| Ya Vas Lyubil | Dmitri Hvorostovsky | G Major | 1 | 9B | 85 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Der Teig ist gar, wir können voranmachen" [The Nibblewitch] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 76 BPM | ||
| The Mikado / Act 1: 11. So Please You, Sir, We Much Regret | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 116 BPM | ||
| 5. Climbing over rocky mountain | Arthur Sullivan, Pauline Wales, Jean Allister, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | B♭ Major | 2 | 6B | 114 BPM | ||
| Pineapple Poll, Ballet Suite | Gilbert & Sullivan, Sadler's Wells Orchestra, Sir Charles Mackerras | B♭ Major | 5 | 6B | 146 BPM | ||
| 9. Comes a train of little ladies | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 2 | 9B | 163 BPM | ||
| Acte III - Tableau IV : Salve Regina | Francis Poulenc, Jean-Pierre Marty | G Major | 2 | 9B | 69 BPM | ||
| Fauré: 5 Mélodies de Venise, Op. 58: No. 5, C'est l'extase | Gabriel Fauré, Camille Maurane, Lily Bienvenu | B♭ Major | 0 | 6B | 48 BPM | ||
| Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| Forward, Warriors, to Battle and Conquer | Hidden Treasures Music | A♭ Major | 1 | 4B | 126 BPM | ||
| Die Fledermaus, Act II: No. 11a, Finale. Herr, Chevalier, ich grüsse Sie! | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | ||
| Porter: Seven Lively Arts: "Drink" | Cole Porter, Thomas Hampson, Ambrosian Chorus, London Symphony Orchestra, John McGlinn | C Major | 4 | 8B | 142 BPM | ||
| Amado Mio | Paul Potts | F Minor | 4 | 4A | 67 BPM | ||
| 478 - Cedo retorna o Senhor | Orquestra Sacra | A♭ Major | 1 | 4B | 126 BPM |