Toussaint McCall's '(I Left My Heart) In San Francisco' had a release date set for April 9, 2007. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Nothing Takes The Place Of You". In this album, this song's track order is #5. The popularity of (I Left My Heart) In San Francisco is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With (I Left My Heart) In San Francisco by Toussaint McCall having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Are You Trying to Fool | Little Ann | D Major | 7 | 10B | 133 BPM | ||
| Otis Sleeps On | Arthur Conley | B♭ Major | 1 | 6B | 142 BPM | ||
| Stormy Weather | Doris Troy | G Major | 2 | 9B | 78 BPM | ||
| Somewhere Down the Line | Little Johnny Taylor | F Major | 4 | 7B | 69 BPM | ||
| You're So Fine | The Falcons | G Major | 4 | 9B | 140 BPM | ||
| Devil With The Blue Dress | Shorty Long | E♭ Major | 5 | 5B | 106 BPM | ||
| This Is Where We Come In | The James Hunter Six | B Minor | 6 | 10A | 108 BPM | ||
| Time Has Brought About A Change | Willie Hightower | A Major | 3 | 11B | 154 BPM | ||
| Born All Over | O.V. Wright | F Major | 4 | 7B | 154 BPM | ||
| I Don't Want To Have To Wait | Barbara & The Browns | D Minor | 3 | 7A | 147 BPM | ||
| Oh No Not My Baby | Maxine Brown | A♭ Major | 3 | 4B | 99 BPM | ||
| Every Beat of My Heart | Gladys Knight & The Pips | C Major | 3 | 8B | 83 BPM | ||
| I've Been So Lonely | Cookie & The Cupcakes | B Major | 4 | 1B | 113 BPM | ||
| Hi-Heel Sneakers | Tommy Tucker | F Major | 5 | 7B | 81 BPM | ||
| I Never Loved a Woman (The Way I Love You) | Spencer Wiggins | B♭ Major | 4 | 6B | 99 BPM | ||
| Any Other Way | Jackie Shane | D♭ Major | 5 | 3B | 106 BPM | ||
| Our Day Will Come | Ruby And The Romantics | A♭ Major | 6 | 4B | 92 BPM | ||
| Putty In Your Hands | The Shirelles | E♭ Major | 6 | 5B | 118 BPM | ||
| Let's Do It Over | Toussaint McCall | G Major | 3 | 9B | 88 BPM | ||
| Oo Wee Baby, I Love You | Fred Hughes | F Minor | 4 | 4A | 112 BPM | ||
| If You Gotta Make a Fool of Somebody | James Ray | G Major | 4 | 9B | 140 BPM | ||
| You And The Night And The Music | Baby Washington | C Minor | 4 | 5A | 107 BPM | ||
| You Better Move On | Arthur Alexander | E Major | 5 | 12B | 114 BPM | ||
| I Can't Wait Until I See My Baby | Baby Washington | G Major | 4 | 9B | 112 BPM | ||
| You're No Good | Betty Everett | B♭ Minor | 4 | 3A | 110 BPM |