Роттердамский филармонический оркестр, Valery Gergiev, Хворостовский Дмитрий's 'Иоланта: "Кто может сравниться с Матильдой моей" (Роберт)' had a release date set for April 4, 2013. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Иоланта: "Кто может сравниться с Матильдой моей" (Роберт)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Государственный академический камерный оркестр России, Константин Орбелян, Хворостовский Дмитрий's "Grand Collection" album is number 51 out of 51. On top of that, France appears to be the country where this track was created. Иоланта: "Кто может сравниться с Матильдой моей" (Роберт) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Иоланта: "Кто может сравниться с Матильдой моей" (Роберт) by Роттердамский филармонический оркестр, Valery Gergiev, Хворостовский Дмитрий to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
| Cendrillon: Félicitez-moi donc | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
| Wagner: Der fliegende Holländer, WWV 63, Act 2: "Auf hohem Felsen lag ich träumend" (Erik, Senta) | Richard Wagner, Otto Klemperer, Anja Silja, Ernst Kozub, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 73 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 7, I can no more; for now it comes again (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
| Le nozze di Figaro, K. 492, Act II: No. 16, Finale: h-i. Voi signor, che giusto siete | Wolfgang Amadeus Mozart, Jane Berbié, Robert Tear, Kurt Moll, Thomas Allen, Lucia Popp, Kiri Te Kanawa, Samuel Ramey, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 3 | 5B | 130 BPM | ||
| Jolivet : Poèmes intimes : I Amour | André Jolivet, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 1 | 12B | 74 BPM | ||
| Massenet: Werther, Act 3: "Toute mon âme est là !" - "Pourquoi me réveiller" (Werther, Charlotte) | Jules Massenet, Michel Plasson, Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | ||
| La Gioconda / Act 2: Laggiù fra le nebbe remote | Amilcare Ponchielli, Agnes Baltsa, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 0 | 10B | 75 BPM | ||
| Suor Angelica: Sorella, o buona sorella | Giacomo Puccini, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 81 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| Macbeth, Act IV: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A Major | 1 | 11B | 61 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Ô dieu Brahma! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Les Cris De Paris | G Major | 1 | 9B | 176 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Macbeth, Act II: Studia il passo, o mio figlio | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Minor | 8 | 7A | 140 BPM | ||
| Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato? | Giacomo Puccini, Leo Nucci, Colin Cue, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musi | D Major | 0 | 10B | 81 BPM | ||
| Falstaff, Act I: Udrai quanta egli sfoggia | Giuseppe Verdi, Anthony Mee, Thomas Hampson, Anatolij Kotscherga, Enrico Facini, Adrianne Pieczonka, Dorothea Röschmann, Stella Doufexis, Larissa Diadkova, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Così fan tutte, K. 588 / Act II: "Secondate, aurette amiche" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin, Vocalensemble Rastatt | E♭ Major | 0 | 5B | 81 BPM | ||
| Rigoletto, Act I: Partite? Crudele! | Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 106 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| L'elisir d'amore / Act I: "Udite, udite, o rustici" | Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 129 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM |