Lee Wiley, Joe Bushkin's 'Why Shouldn't I? - Studio' had a release date set for October 1, 2007. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "The Total - Vol. 1". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Why Shouldn't I? - Studio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Why Shouldn't I? - Studio by Lee Wiley, Joe Bushkin having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Coming Virginia | Barbara Lea | E♭ Major | 2 | 5B | 117 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| If I Had You | Margaret Whiting | E♭ Major | 1 | 5B | 78 BPM | ||
| Got the South in My Soul | Lee Wiley | E♭ Major | 3 | 5B | 97 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Ain't Gonna Worry 'Bout a Soul | The Delta Rhythm Boys | A Minor | 3 | 8A | 83 BPM | ||
| Wrap Your Troubles In Dreams | Sue Raney | A Minor | 2 | 8A | 101 BPM | ||
| Last Night's Gardenias | Glen Gray, Kenny Sargent, Casa Loma Orchestra | E♭ Major | 3 | 5B | 97 BPM | ||
| I Get the Blues When It Rains | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| Summertime | Bob Crosby & His Orchestra | F Minor | 2 | 4A | 106 BPM | ||
| Oh! Miss Jaxon | Charlie Barnet | F Major | 6 | 7B | 136 BPM | ||
| All Dressed Up with a Broken Heart | Chris Connor | E♭ Major | 3 | 5B | 97 BPM | ||
| Walkin' By the River | Una Mae Carlisle | E♭ Major | 3 | 5B | 97 BPM | ||
| You're The Top (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | E♭ Major | 4 | 5B | 90 BPM | ||
| Hurry Home | Ambrose & His Orchestra, Denny Dennis | B♭ Minor | 3 | 3A | 106 BPM | ||
| Goodnight Wherever You Are | Sonny Dunham & His Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
| I'll See You In My Dreams | Sue Raney | F♯ Minor | 3 | 11A | 94 BPM | ||
| You Were Never Lovelier | Paul Whiteman & His Orchestra, Larry Neil | E♭ Major | 1 | 5B | 92 BPM | ||
| Teach Me Tonight | The De Castro Sisters | G Major | 2 | 9B | 110 BPM | ||
| A Fine Romance | Johnny Mercer, Martha Tilton, Paul Weston And His Orchestra | E♭ Major | 3 | 5B | 78 BPM | ||
| I've Grown Accustomed To Your Face | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 1 | 4B | 121 BPM | ||
| I've Got Five Dollars | Lee Wiley | G Major | 0 | 9B | 130 BPM | ||
| Street of Dreams | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| Music, Maestro, Please! | Tommy Dorsey & Edythe Wright | F Major | 1 | 7B | 120 BPM |