I Can Make A Mess's 'Track 1' had a release date set for January 1, 2004. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Track 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in I Can Make A Mess's "I Can Make A Mess Like Nobody's Business" album is number 1 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Track 1 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Track 1 by I Can Make A Mess to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gods | I Can Make A Mess | A Major | 6 | 11B | 125 BPM | ||
| Natalie Marie and 1cc | The Spill Canvas | B Major | 8 | 1B | 143 BPM | ||
| Call Me When It's Over | Mansions | B Major | 7 | 1B | 106 BPM | ||
| Track 13 | I Can Make A Mess | F♯ Major | 5 | 2B | 154 BPM | ||
| Valiant | The Spill Canvas | B Major | 7 | 1B | 150 BPM | ||
| Skipping Stone | Transit | D Minor | 7 | 7A | 175 BPM | ||
| Down Towards the Healing | Lovedrug | F♯ Major | 5 | 2B | 126 BPM | ||
| If Tragedy's Appealing, Then Disaster's an Addiction | Moneen | A Major | 7 | 11B | 136 BPM | ||
| Every Night's Another Story | The Early November | G Major | 3 | 9B | 124 BPM | ||
| The Future | Everyone Everywhere | E Major | 8 | 12B | 135 BPM | ||
| Getting There Is Getting By | Punchline | F♯ Minor | 9 | 11A | 115 BPM | ||
| A | Cartel | C Minor | 9 | 5A | 152 BPM | ||
| Quiet As A Mouse | Margot & The Nuclear So And So's | E♭ Major | 8 | 5B | 113 BPM | ||
| Goodbye | The New Amsterdams | D♭ Minor | 9 | 12A | 134 BPM | ||
| The Quiet Things That No One Ever Knows - acoustic | Brand New | F♯ Major | 4 | 2B | 76 BPM | ||
| Had to Be There | I Can Make A Mess | D Major | 7 | 10B | 100 BPM | ||
| We Do This to Ourselves | Sherwood | D Major | 9 | 10B | 157 BPM | ||
| Worse for the Wear | The New Amsterdams | F♯ Major | 6 | 2B | 158 BPM | ||
| Ice Heavy Branches | The Appleseed Cast | D Major | 9 | 10B | 177 BPM | ||
| Lions | I Can Make A Mess | F♯ Major | 5 | 2B | 120 BPM | ||
| If Not For My Glasses | Dear and the Headlights | B Major | 8 | 1B | 139 BPM | ||
| Conversations With Emily | Park | D♭ Minor | 4 | 12A | 130 BPM | ||
| The Song I Swore to Never Sing | Moneen | A Major | 7 | 11B | 136 BPM | ||
| (Fork And Knife) | Brand New | D♭ Major | 9 | 3B | 174 BPM | ||
| Let's Go Home | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM |