Woman's Hour's ' "In Stillness We Remain" was released on its scheduled release date, July 15, 2014. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 11 in Conversations by Woman's Hour. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, In Stillness We Remain's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of In Stillness We Remain by Woman's Hour is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Turn to Sand | Musique Le Pop | D♭ Major | 8 | 3B | 97 BPM | ||
| The Gaudy Side of Town | Gayngs | B Minor | 4 | 10A | 138 BPM | ||
| Last Century Man | Solomon Grey | B Minor | 6 | 10A | 156 BPM | ||
| Vultures | Vaults | A Minor | 6 | 8A | 85 BPM | ||
| Romance - Edit | Ex:Re | A Major | 6 | 11B | 121 BPM | ||
| Little Ones | Come on Live Long | F♯ Minor | 4 | 11A | 142 BPM | ||
| Jewel | Gold & Youth | C Minor | 7 | 5A | 101 BPM | ||
| Toothwheels | múm | C Major | 5 | 8B | 100 BPM | ||
| Between The Waves | Beacon | C Minor | 6 | 5A | 125 BPM | ||
| Cold (feat. Fryars) | Rae Morris, Fryars | A♭ Minor | 8 | 1A | 100 BPM | ||
| Hemiplegia | HAERTS | E Minor | 9 | 9A | 114 BPM | ||
| Chloe | Hannah Peel | A Minor | 5 | 8A | 125 BPM | ||
| To The End | Woman's Hour | B Minor | 4 | 10A | 150 BPM | ||
| Tarnished - Document One Remix | Reid, Woman's Hour, Document One | G Major | 8 | 9B | 172 BPM | ||
| White Lies | Milo Greene | B Minor | 7 | 10A | 110 BPM | ||
| Lose My Mind | Wales | C Major | 7 | 8B | 174 BPM | ||
| Everything to Me | Lips | A Minor | 6 | 8A | 104 BPM | ||
| Born Again | DIANA | A♭ Major | 8 | 4B | 105 BPM | ||
| This Time | Milosh | A Minor | 5 | 8A | 130 BPM | ||
| Somebody Who | Au Revoir Simone | D♭ Minor | 8 | 12A | 106 BPM | ||
| Xtalk | Hundred Waters | A Major | 5 | 11B | 128 BPM | ||
| Hung On Tight | Snakadaktal | G Major | 3 | 9B | 112 BPM | ||
| Taking Chances | Sharon Van Etten | G Minor | 5 | 6A | 172 BPM | ||
| Joe's Dream | Bat For Lashes | C Major | 4 | 8B | 137 BPM | ||
| A.M.A. | Maps | E Minor | 8 | 9A | 101 BPM |