Subhash Kumar's ' "Lahenga Udela Gotedaar" was released on its scheduled release date, January 24, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Subhash Kumar's "Lahenga Udela Gotedaar" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Lahenga Udela Gotedaar is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lahenga Udela Gotedaar by Subhash Kumar to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mohe Aaye Na Jag Se Laaj (From "Cabaret") | Neeti Mohan | D Major | 8 | 10B | 96 BPM | ||
| Kinu Mai Sunaava | Burrah, Anubhav Chhabra | D♭ Minor | 5 | 12A | 135 BPM | ||
| Bheege Mann | Altamash Faridi | F Major | 3 | 7B | 92 BPM | ||
| Ankhiyan Milana Humse Savrko | Subhash Kumar | G Minor | 8 | 6A | 150 BPM | ||
| Raske Bhare Tore Naina (From "Satyagraha") | Shafqat Amanat Ali, Arpita Chakraborty | B Minor | 9 | 10A | 117 BPM | ||
| Haay Haay Re Lala (Jiyo - Jiyo Re Lal) | Renuka Sahay, Subhash Kumar, Shobha Rani | F♯ Minor | 6 | 11A | 110 BPM | ||
| Gard E Rah | Bigfoot, Zeeshan Ali | D Major | 5 | 10B | 144 BPM | ||
| Habba Khatoon | Vibha Saraf | A Minor | 1 | 8A | 124 BPM | ||
| Humnava Mere Acoustic (From "T-Series Acoustics") | Jubin Nautiyal, Rocky - Shiv | F Minor | 2 | 4A | 78 BPM | ||
| Baddal | Jasmine Sandlas | F Minor | 4 | 4A | 130 BPM | ||
| Chand Yeh | Swanand Kirkire | E Major | 5 | 12B | 100 BPM | ||
| Mahliya Uthe Sohar | Bhushan Dua, Subhash Kumar, Shobha Rani, Renuka Sahay | F Major | 6 | 7B | 148 BPM | ||
| Chala Na Maiya Ke Darbaar | Subhash Kumar | C Minor | 7 | 5A | 145 BPM | ||
| Mora Saiyaan | Fuzon | F♯ Major | 5 | 2B | 80 BPM | ||
| Pehla Pyar | Gajendra Verma | G Major | 3 | 9B | 105 BPM | ||
| Bewafa Yaar Ho Gayeel | Subhash Kumar | G Minor | 6 | 6A | 83 BPM | ||
| Tenu Kehna | Ashish Chhabra | A♭ Minor | 6 | 1A | 78 BPM | ||
| Aap Par Arz Hai | Lucky Ali | F Major | 4 | 7B | 135 BPM | ||
| Barfani (From "Babumoshai Bandookbaaz") [Male Vocals] | Gaurav Dagaonkar, Armaan Malik | F♯ Major | 4 | 2B | 134 BPM | ||
| Yahi Tak Tera Saath Hai (RVCJ Originals) | Rohan Rohan, Rohan Pradhan | A Minor | 5 | 8A | 150 BPM | ||
| Na Mai Hu Na Tu | Mayur Nagpal | A Major | 2 | 11B | 140 BPM | ||
| Aaj Rang Hai | Kavita Seth, Kanishk Seth | B Minor | 8 | 10A | 150 BPM | ||
| Laage Re Nain | Pratibha Singh Baghel, Paras Nath | C Major | 6 | 8B | 176 BPM | ||
| Aa Gaili Duwariya | Bijili Rani, Subhash Kumar | B Major | 9 | 1B | 110 BPM | ||
| Sawan Beeta Jaye | Nandini Srikar | D Minor | 6 | 7A | 125 BPM |