"Footprints" by Double Edge had its release date on January 1, 1989. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 5 out of 10 in Foot Prints by Double Edge. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Footprints is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Footprints by Double Edge is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Entrada: At The River | Ingram Marshall | C Minor | 2 | 5A | 84 BPM | ||
| Act II: Dance 1 | Philip Glass Ensemble | A Minor | 4 | 8A | 129 BPM | ||
| Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
| Postlude 8 | Elliot Cole, Blow Up Roma Percussion | F Minor | 1 | 4A | 86 BPM | ||
| The Human Plague | Sufjan Stevens, yMusic | B Minor | 2 | 10A | 120 BPM | ||
| Mue | Koki Nakano | F♯ Major | 2 | 2B | 104 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Chiara | Zeno Gabaglio | B♭ Major | 0 | 6B | 155 BPM | ||
| Glassworks: IV. Rubric | Philip Glass, Philip Glass Ensemble, Michael Riesman | E♭ Major | 6 | 5B | 95 BPM | ||
| Sarinbuana | Akusmi | B Minor | 5 | 10A | 90 BPM | ||
| Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi, Waltraut Wächter, Andreas Hartmann, MDR Leipzig Radio Symphony Orchestra | F Major | 3 | 7B | 124 BPM | ||
| Transporter | Mudhtial | G Major | 1 | 9B | 127 BPM | ||
| No Sun To Burn (for brass) | Kali Malone | G Minor | 0 | 6A | 78 BPM | ||
| Dream (1948) | John Cage, Stephen Drury | E♭ Major | 0 | 5B | 140 BPM | ||
| Patterns of Minimalism | Laurent Dury | C Minor | 4 | 5A | 180 BPM | ||
| Music for 18 Musicians: Section IV | Steve Reich | A Major | 3 | 11B | 105 BPM | ||
| Natural Patterns | Josh Wynter | C Minor | 3 | 5A | 80 BPM | ||
| Prepared Piano Prepared | R.Kuhn, Rüdiger Edgar Kuhn | B♭ Minor | 2 | 3A | 99 BPM | ||
| Cruising | Bendik Giske | B♭ Minor | 6 | 3A | 144 BPM | ||
| Fratres | Arvo Pärt, Gidon Kremer, Keith Jarrett | B♭ Major | 0 | 6B | 77 BPM | ||
| Some Tymes | Double Edge, R.O., Dro | D♭ Major | 4 | 3B | 89 BPM | ||
| Nowheresville | Double Edge | G Minor | 9 | 6A | 165 BPM | ||
| Blue Sky | Mirrored Glass | Ellen Reid, James McVinnie | D♭ Minor | 2 | 12A | 82 BPM | ||
| Act III: Trial, Prison, "I Feel The Earth Move" | Philip Glass Ensemble | G Major | 1 | 9B | 75 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM |