On July 12, 2025, the song "Pahli Barish" was released by Omesh Projects, Monika Verma. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Pahli Barish only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Pahli Barish is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pahli Barish by Omesh Projects, Monika Verma having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Ke Jayie Jawanee Kaha Taza Taza | Alok Kumar | D♭ Major | 9 | 3B | 100 BPM | ||
| Bairee Nayan | Rishiraj Pandey, Shraddha Mandal | D♭ Major | 10 | 3B | 160 BPM | ||
| Mahamaya Pancho Rang (Kantikartik) CG Song | OP Dewangan | D♭ Major | 9 | 3B | 76 BPM | ||
| Neelo Kalo Chantiya Taaro | Mudavath Srinivas, Bhukya Susheela | G Major | 8 | 9B | 83 BPM | ||
| Karma Nacha De Raja Jhumi Jhumi - From "Jhan Jabe Pardesh Kahani Hamar Gaon Ke" | Monika Verma, Roshan Vaishnav, Vivek Nilesh Sharma | D♭ Major | 8 | 3B | 117 BPM | ||
| Kai Kure Mama Tara Betine | Mudavath Srinivas | B♭ Minor | 8 | 3A | 120 BPM | ||
| HAI TOR NAKHARA | JYOTI KANWAR, Gajju Baba | D♭ Major | 9 | 3B | 82 BPM | ||
| Tola Ka Rang Ma (Kantikartik) CG Song | OP Dewangan | F♯ Major | 9 | 2B | 86 BPM | ||
| A Mor Jahuriya | Acharya Sahu, Karishma Khan | D♭ Major | 9 | 3B | 145 BPM | ||
| Raja Tor Bar Martho | JYOTI KANWAR, Devashish Pandey | F♯ Major | 9 | 2B | 110 BPM | ||
| Yugon Yugon Tak Devnandi Gurudev | Roopesh Jain, Ankur Jain Ank | A Minor | 9 | 8A | 98 BPM | ||
| Guiya Ke De Delo Dil | Santosh Dewana | G Major | 9 | 9B | 142 BPM | ||
| Bane Bane To | Nitin Dubey, Sharmila Biswas | F Minor | 9 | 4A | 120 BPM | ||
| Dhak Dhak Dil Dhadke | Shivani Vaishnav | F♯ Major | 9 | 2B | 130 BPM | ||
| Bhatar Na Mili Ta Mar Jai | Guddu Rangila, Sakshi | B♭ Minor | 10 | 3A | 128 BPM | ||
| Jiya Lage Re - From "Vaidehi" | Monika Verma, Toshant Kumar | B Minor | 9 | 10A | 81 BPM | ||
| Hiro Jaise Sajahu | Monika Verma, Sohil Rangari | F Major | 9 | 7B | 81 BPM | ||
| कासम दुधिया मेवाती | Sahil Don Mewati, SAHIL JATOLIYA | D♭ Minor | 8 | 12A | 140 BPM | ||
| Chal Na Kar Lethan Bihav | Monika Verma, Toshant Kumar | D♭ Major | 9 | 3B | 145 BPM | ||
| O Re Bengali Sadi | Pankaj Mahli, Chinta Devi | D♭ Major | 9 | 3B | 145 BPM | ||
| Mor Nainjogni | Acharya Sahu, Karishma Khan | G Minor | 6 | 6A | 150 BPM | ||
| Tola Mundari Pahirake | Omesh Projects | F Minor | 5 | 4A | 80 BPM | ||
| Sacha Prem Milba Kena Kahide | UMAKANT BARIK, BAIKUNTH NAIK, Hrudananda Sahu | D♭ Minor | 9 | 12A | 148 BPM | ||
| Padki Parevna | Vivek Sharma, Monika Verma | B♭ Minor | 8 | 3A | 77 BPM | ||
| De De Dil Gori De De - Khortha | Satish Das, Savitri Karmkar, Abhishek | G Major | 10 | 9B | 176 BPM |