Balram Ne Bahut Samjhaya
Mohammed Rafi, Asha Bhosle, Dilraj Kaur, Laxmikant–Pyarelal
Ram Balram
6:27 November 28, 1980
BPM
123
Key
F Major
Camelot
7B

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Balram Ne Bahut Samjhaya by Mohammed Rafi, Asha Bhosle, Dilraj Kaur, Laxmikant–Pyarelal Song Details

Mohammed Rafi, Asha Bhosle, Dilraj Kaur, Laxmikant–Pyarelal's ' "Balram Ne Bahut Samjhaya" was released on its scheduled release date, November 28, 1980. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Ram Balram". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Balram Ne Bahut Samjhaya's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Balram Ne Bahut Samjhaya by Mohammed Rafi, Asha Bhosle, Dilraj Kaur, Laxmikant–Pyarelal having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-10.537 dB
Acousticness
94%
Danceability
51%
Energy
58%
Instrumentalness
5%
Liveness
31%
Loudness
82%
Speechiness
9%
Valence
68%

Recommendations

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ISRC
INH100253710
Label
L-M Records/RCA Records