King King's ' "Coming Home - Live at Berkeley Studios" was released on its scheduled release date, November 27, 2020. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in King King's "Maverick (Deluxe)" album is number 14 out of 15. In terms of popularity, Coming Home - Live at Berkeley Studios is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Coming Home - Live at Berkeley Studios by King King to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hell and Half of Georgia | Anthony Gomes | B Major | 8 | 1B | 120 BPM | ||
| Falling | Cardinal Black | G Major | 5 | 9B | 82 BPM | ||
| I Got Love | Albert Castiglia | G Minor | 9 | 6A | 102 BPM | ||
| Nonchalant | Tommy Castro, The Painkillers | C Major | 8 | 8B | 106 BPM | ||
| Whiskey Got Me Married | Altered Five Blues Band | D♭ Major | 8 | 3B | 79 BPM | ||
| Shadows In The Dark | Smokin' Joe Kubek & Bnois King | B Minor | 9 | 10A | 139 BPM | ||
| Game On | The Rides | F Major | 8 | 7B | 127 BPM | ||
| Edge of the Night | Mike Franano | E Minor | 5 | 9A | 144 BPM | ||
| Nothing to Hide | The Blues Mystery | G Major | 8 | 9B | 112 BPM | ||
| I Will | Laurence Jones | A♭ Minor | 6 | 1A | 105 BPM | ||
| Everything Will Be Alright | King King | F Major | 8 | 7B | 112 BPM | ||
| Grandma's Hands | Simon McBride | D Major | 9 | 10B | 120 BPM | ||
| Rush Hour | King King | C Major | 6 | 8B | 146 BPM | ||
| The Shifter | Sean Mann | F♯ Minor | 8 | 11A | 90 BPM | ||
| I Will Not Fall | King King | A Minor | 8 | 8A | 109 BPM | ||
| Don't Need No Reason | Laurence Jones | D♭ Major | 7 | 3B | 112 BPM | ||
| Shadows On The Heart | Larry Smilinson | D Major | 5 | 10B | 159 BPM | ||
| Real Gone | Ally Venable | D Major | 9 | 10B | 134 BPM | ||
| Lost | Devon Allman | F Minor | 5 | 4A | 98 BPM | ||
| Changes | The Bluesbones | G Minor | 8 | 6A | 95 BPM | ||
| Let's Go Upstairs - Live | Ben Poole | G Minor | 7 | 6A | 157 BPM | ||
| You'd Better Run | Albany Down | C Major | 8 | 8B | 106 BPM | ||
| This Is Love | Supersonic Blues Machine | C Major | 8 | 8B | 97 BPM | ||
| Mean Old Town | Bryce Janey | F Major | 8 | 7B | 92 BPM | ||
| In A World Without You | Quinn Sullivan | G Major | 9 | 9B | 91 BPM |