Phyllis Hyman's 'Come Right or Not at All' had a release date set for July 28, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 12 in Forever with You by Phyllis Hyman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Come Right or Not at All is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Come Right or Not at All by Phyllis Hyman is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meant for You | Debra Laws | C Major | 5 | 8B | 171 BPM | ||
| Nights Over Egypt | The Jones Girls | A Minor | 6 | 8A | 111 BPM | ||
| Bad Times | Tavares | G Major | 6 | 9B | 94 BPM | ||
| Lady You Are | One Way | F♯ Major | 6 | 2B | 92 BPM | ||
| I Wanna Be Closer | Switch | D Major | 4 | 10B | 64 BPM | ||
| You Know You Want to Be Loved | Keith Barrow | D Major | 6 | 10B | 73 BPM | ||
| Stay A Little While, Child | Loose Ends | A Minor | 7 | 8A | 104 BPM | ||
| When You Touch Me | Skyy | B Major | 3 | 1B | 113 BPM | ||
| Heaven Sent You | Stanley Clarke | B Minor | 4 | 10A | 102 BPM | ||
| You Are My Everything | Surface | D♭ Major | 6 | 3B | 96 BPM | ||
| The Way We Were | Willie Hutch | D♭ Minor | 7 | 12A | 177 BPM | ||
| Ah, Ah, Ah, Ah | The Jones Girls | D Major | 7 | 10B | 110 BPM | ||
| Ocean Of Thoughts And Dreams | The Dramatics | E♭ Major | 6 | 5B | 167 BPM | ||
| Imaginations | Miki Howard | C Minor | 2 | 5A | 69 BPM | ||
| Take Me, I'm Yours | Michael Henderson | D Major | 7 | 10B | 97 BPM | ||
| Goin' Up In Smoke | Eddie Kendricks | A♭ Minor | 7 | 1A | 117 BPM | ||
| Love Me In A Special Way | DeBarge | C Major | 3 | 8B | 126 BPM | ||
| Do You Get Enough Love? | Shirley Jones | G Major | 6 | 9B | 134 BPM | ||
| Just Us | Two Tons Of Fun | D♭ Major | 8 | 3B | 103 BPM | ||
| Complete Me | Phyllis Hyman | A Minor | 4 | 8A | 141 BPM | ||
| The Morning After | Alexander O'Neal | G Minor | 6 | 6A | 140 BPM | ||
| Love Is Just A Touch Away | Freddie Jackson | F♯ Minor | 3 | 11A | 185 BPM | ||
| Where Do We Go From Here/Journey | Enchantment | D♭ Major | 3 | 3B | 126 BPM | ||
| What Cha Gonna Do With My Lovin' - 12" Version | Stephanie Mills | B♭ Minor | 5 | 3A | 103 BPM | ||
| You Can't Turn Me Off (In The Middle Of Turning Me On) - Single Version | High Inergy | C Minor | 4 | 5A | 183 BPM |