Tod Machover's 'Song Of Penance For Hyperviola, Computer Voice, And 17 Instrumentals - Buoyant' had a release date set for April 4, 2006. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Song Of Penance For Hyperviola, Computer Voice, And 17 Instrumentals - Buoyant's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tod Machover's "Machover: Hyperstring Trilogy" album is number 15 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, Song Of Penance For Hyperviola, Computer Voice, And 17 Instrumentals - Buoyant's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Song Of Penance For Hyperviola, Computer Voice, And 17 Instrumentals - Buoyant by Tod Machover to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonie pour un homme seul: Erotica | Pierre Henry, Pierre Schaeffer | B Minor | 9 | 10A | 89 BPM | ||
| Snowforms | Elektra Women's Choir | E♭ Major | 0 | 5B | 68 BPM | ||
| Fraledune | Anna Caragnano, Donato Dozzy | A♭ Major | 1 | 4B | 110 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| Dewdrop Dances | Conard Sandpiper | A Minor | 1 | 8A | 86 BPM | ||
| the little match girl passion: lights were shining | David Lang, Theatre Of Voices, Paul Hillier | E♭ Major | 1 | 5B | 92 BPM | ||
| Stephen F. Williams | Redkattseven | C Major | 3 | 8B | 68 BPM | ||
| Ligeti: Requiem: IV. Lacrimosa. Molto lento | György Ligeti, Jonathan Nott, Caroline Stein, London Voices, Margriet van Reisen, Berliner Philharmoniker | D♭ Major | 0 | 3B | 147 BPM | ||
| Berliner Messe: VII. Sanctus | Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra | D♭ Minor | 0 | 12A | 84 BPM | ||
| Requiem: II. Kyrie | György Ligeti, WDR Sinfonieorchester, WDR Rundfunkchor Köln, SWR Vokalensemble Stuttgart, Peter Eötvös | F Minor | 2 | 4A | 65 BPM | ||
| Lost Highway (2002/03): Scene 1.2 | Olga Neuwirth, Constance Hauman, Grayson Millwood, Johannes Kalitzke, Klangforum Wien, Rodolfo Seas-Araya, Vincent Crowly | C Major | 0 | 8B | 91 BPM | ||
| Kinchi | aylalamanchi | A Minor | 0 | 8A | 146 BPM | ||
| Song Of Penance For Hyperviola, Computer Voice, And 17 Instrumentals - Coda: Full And Sweet | Tod Machover | F Major | 2 | 7B | 135 BPM | ||
| Filtered Words | Loved Sadness | C Major | 2 | 8B | 85 BPM | ||
| The Past Visions | Nadyia Lvov | A Minor | 4 | 8A | 77 BPM | ||
| Numb the pain I | Ruthlesskid | F Minor | 1 | 4A | 78 BPM | ||
| Valis, Pt. 1: Did You Ever Try Suicide Before? | Tod Machover, Terry Edwards, Patrick Mason, Daniel Ciampolini, Emma Stephenson | G Major | 1 | 9B | 94 BPM | ||
| Oppenheimer | Jocelyn Pook | B Minor | 2 | 10A | 78 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| BLUEBANDZ II | Da Surpressor | D♭ Major | 1 | 3B | 74 BPM | ||
| Our Father | Julius Eastman, Christopher Rountree, DAVÓNE TINES, Wild Up | G Major | 2 | 9B | 138 BPM | ||
| Last Days, Act 1, Scene 3: Blake Listens to Opera | Oliver Leith, Jack Sheen, 12 Ensemble, GBSR Duo | E♭ Minor | 1 | 2A | 83 BPM | ||
| Falling Down with His Legion | UTOH | B♭ Major | 4 | 6B | 85 BPM | ||
| Rainbow Voice | David Hykes, The Harmonic Choir | E Major | 1 | 12B | 137 BPM |