Then It Ends's 'Only One' had a release date set for June 6, 2025. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 3 in the song's album "Only One". In this album, this song's track order is #1. Only One is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Only One by Then It Ends having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| S.O.S. (Suffocating On Sorrow) | Heal The Hurt | A♭ Minor | 9 | 1A | 120 BPM | ||
| Pass Me The Raid, I Need To Get Rid Of The Butterflies In My Stomach | Playing With Knives, Delilah | A♭ Major | 10 | 4B | 195 BPM | ||
| Quiet Place | Vanna | D♭ Major | 10 | 3B | 75 BPM | ||
| DECEITFUL TONGUES | Unbroken Reign | A♭ Major | 9 | 4B | 155 BPM | ||
| World Falls Apart | For All I Am | D♭ Major | 9 | 3B | 91 BPM | ||
| Nomad | UNFAMILIAR | D♭ Minor | 9 | 12A | 145 BPM | ||
| When Sorry Starts Sounding More Like A Reflex And Less Like An Apology | Playing With Knives | A Major | 3 | 11B | 150 BPM | ||
| Break The Cycle | Lil Used, Small Voice | A♭ Major | 6 | 4B | 100 BPM | ||
| Starve | Confessions of a Traitor, Moments | F♯ Major | 10 | 2B | 85 BPM | ||
| Six Feet Deep | Unbroken Reign | F♯ Minor | 9 | 11A | 117 BPM | ||
| Parting Ways | Adept | G Major | 10 | 9B | 110 BPM | ||
| Burn Me Alive | Gone Cold | F Minor | 10 | 4A | 112 BPM | ||
| BIG FISH | QUEEN KONA | A♭ Major | 10 | 4B | 110 BPM | ||
| Consequence of Our Transgressions | Diamonds to Dust | A Minor | 10 | 8A | 120 BPM | ||
| Genocide | Overthrone | E Minor | 10 | 9A | 103 BPM | ||
| Addiction | Then It Ends | F Minor | 10 | 4A | 124 BPM | ||
| Incepted | Making Blind Eyes See | D Minor | 8 | 7A | 114 BPM | ||
| Your Love is Bliss | Seventh Day Slumber | F Major | 9 | 7B | 165 BPM | ||
| Impaired | Patient Sixty-Seven, Taylor Barber, Left to Suffer | D♭ Major | 10 | 3B | 113 BPM | ||
| Man of Sorrows | The Wounds That Speak | A♭ Major | 10 | 4B | 110 BPM | ||
| Let It In | Teeth | F Major | 10 | 7B | 180 BPM | ||
| Letting Go | Midwinter | D Minor | 10 | 7A | 100 BPM | ||
| The Choices We Regret | As The Structure Fails | A♭ Major | 10 | 4B | 110 BPM | ||
| It’s Not Me, It’s You | Everyone Dies In Utah | F Major | 9 | 7B | 131 BPM | ||
| Traveler | Jamie's Elsewhere | G Major | 10 | 9B | 110 BPM |