"The Witch's Threat" by Rob Lane had its release date on November 4, 2008. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Witch's Threat's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rob Lane's "Merlin (Original Television Soundtrack)" album is number 3 out of 18. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, The Witch's Threat's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Witch's Threat by Rob Lane to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| So Many Memories | Mark Mancina | E Minor | 1 | 9A | 71 BPM | ||
| Rampage Through Town | James Horner | F Major | 0 | 7B | 85 BPM | ||
| Against My Better Judgment | Mark Mancina | E Minor | 0 | 9A | 83 BPM | ||
| Finale | Rob Lane, Will Rice, Klara Ketelaars, The Chamber Orchestra Of London | B♭ Minor | 3 | 3A | 99 BPM | ||
| On the Eve of Harlan's Demise | Nathan Johnson | D Major | 1 | 10B | 88 BPM | ||
| Underwater March | Klaus Badelt | B♭ Major | 2 | 6B | 69 BPM | ||
| Eshkeri: Zombie Fight | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 9 | 8B | 150 BPM | ||
| Utrecht | Delavef Layton, Delan Marlon | A♭ Major | 1 | 4B | 85 BPM | ||
| Gaius Arraigned | James Gosling | A Major | 2 | 11B | 36 BPM | ||
| Flight To Avalon - Dragonheart/Soundtrack Version | Randy Edelman | B♭ Major | 3 | 6B | 61 BPM | ||
| An All Too Common Malady | Steven Price | G Major | 1 | 9B | 71 BPM | ||
| Agna Qel'A | Takeshi Furukawa | B♭ Minor | 2 | 3A | 85 BPM | ||
| Prologue | Chris Egan, Samuel Sim | B Major | 2 | 1B | 158 BPM | ||
| The War Of Succession | Trevor Morris | E Minor | 3 | 9A | 74 BPM | ||
| Herson | Konfusia Clayman, Konfusi Clayton | D Major | 1 | 10B | 80 BPM | ||
| The Mushy Part - From "The Mummy Returns" Soundtrack | Alan Silvestri | E♭ Major | 2 | 5B | 138 BPM | ||
| Final Goodbye | Joseph Trapanese | C Minor | 2 | 5A | 117 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Umbridge Spoils a Beautiful Morning | Nicholas Hooper | G Minor | 1 | 6A | 61 BPM | ||
| The Strength of Gyptians | Lorne Balfe | F Minor | 3 | 4A | 62 BPM | ||
| Fields of Joy | Critical Role, Omar Fadel | E♭ Minor | 0 | 2A | 88 BPM | ||
| Helpful Goat | Joseph Trapanese, The Budapest Art Orchestra | C Major | 0 | 8B | 149 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| The Quest for Pan | Bear McCreary, Sparks & Shadows | C Minor | 4 | 5A | 118 BPM | ||
| Into the Book | Christian Henson | E♭ Major | 1 | 5B | 128 BPM |