"Talking To Myself" by Major Moment had its release date on January 3, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "The Sequel (Extended)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Talking To Myself's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Talking To Myself by Major Moment having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liquid ("The Flood" 2019 Home Demo) | Major Moment | D Minor | 7 | 7A | 128 BPM | ||
| Phoenix | Enemy Inside | G Minor | 10 | 6A | 110 BPM | ||
| 20-nine | Lost in Hollywood | B Minor | 9 | 10A | 173 BPM | ||
| In the Depths | Brooks Herring, ENDURE | F Major | 7 | 7B | 140 BPM | ||
| Currents | Shallowsky | C Minor | 8 | 5A | 180 BPM | ||
| Behind Curtains | Cold Night For Alligators | E Major | 9 | 12B | 170 BPM | ||
| May Leave Scars (Live) | Major Moment | A Minor | 10 | 8A | 123 BPM | ||
| Glass & Stones | AVIDIAN | F♯ Major | 8 | 2B | 156 BPM | ||
| Bullets For My Valentine | LUPO | F♯ Minor | 6 | 11A | 126 BPM | ||
| Child Disk | Antônio Tarek | D Major | 9 | 10B | 164 BPM | ||
| Over Soon | Egypt Central | A♭ Minor | 9 | 1A | 97 BPM | ||
| Into Nothing | Everrest | G Major | 9 | 9B | 147 BPM | ||
| Endless Hunger (cuz im a ...) | 2eme, Manuel Arteaga | G Major | 9 | 9B | 196 BPM | ||
| Another Casualty | My Ending Reign | A♭ Major | 10 | 4B | 174 BPM | ||
| I Mean This | Clint Lowery | F♯ Minor | 9 | 11A | 164 BPM | ||
| Dead Girl Walking | HumanKind | G Major | 9 | 9B | 100 BPM | ||
| Reset Restart | Sakoya | A Minor | 9 | 8A | 135 BPM | ||
| The Depths | VEMØD | D♭ Major | 9 | 3B | 160 BPM | ||
| Nemesis | Keith Wallen | F♯ Minor | 8 | 11A | 145 BPM | ||
| You Leave Me Here | Lightscape | F♯ Minor | 7 | 11A | 140 BPM | ||
| Signals | DaysEye | B♭ Minor | 6 | 3A | 100 BPM | ||
| Wings of Wax | 2eme, Manuel Arteaga | B♭ Minor | 7 | 3A | 87 BPM | ||
| First Sight | Tales of Tomorrow | A♭ Major | 9 | 4B | 166 BPM | ||
| Her Monsters | Matthew’s Silent Chapter | E Minor | 7 | 9A | 163 BPM | ||
| Still, I Choose Your Storm | POLINATRA | D Minor | 4 | 7A | 160 BPM |