On March 23, 2022, the song "To Ghuror Man Ra" was released by Splendor of Meditation, Inner Splendor World Music, Ulstad Qasem Bakhsh. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. To Ghuror Man Ra's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sufi Poetry and Folk Songs from Afghanistan". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, To Ghuror Man Ra's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With To Ghuror Man Ra by Splendor of Meditation, Inner Splendor World Music, Ulstad Qasem Bakhsh having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gnegno | Baaba Maal | B♭ Minor | 9 | 3A | 91 BPM | ||
| Ho Sipahi Logaye | Ramkhilawan | B Major | 8 | 1B | 170 BPM | ||
| Awadh me raam aaye hain | Maithili Thakur | B♭ Minor | 6 | 3A | 145 BPM | ||
| Jo Anand Sant Fakir Kare | Niranjan Pandya | B Minor | 9 | 10A | 125 BPM | ||
| Megum Ki Dostat Daaram | Ahmad Zahir | B Minor | 6 | 10A | 112 BPM | ||
| O Buta wala | Salma Jahani, Haider Salim | E Major | 8 | 12B | 160 BPM | ||
| Asli Watan | Farhad Darya | G Major | 6 | 9B | 177 BPM | ||
| Jano Jigaram | Sharafat Parwani | A♭ Major | 8 | 4B | 173 BPM | ||
| Ter Jafayet Ba Jigar Mezani | Ajmal Zahin | G Major | 6 | 9B | 118 BPM | ||
| Anand Sahib | Darbar Sahib Radio, Bhai Manpreet Singh Ji Kanpuri | B♭ Major | 8 | 6B | 105 BPM | ||
| To Ka Nabashi | Splendor of Meditation, Inner Splendor World Music, Ulstad Qasem Bakhsh | C Minor | 4 | 5A | 142 BPM | ||
| Agar Sharab Dehad Peri Mai Frosh Mara | Ustad Rahim Bakhsh | D♭ Minor | 7 | 12A | 94 BPM | ||
| Daru Dakha Ro | Naik Mohammad, Sikander Kha Langa & Party | F♯ Major | 6 | 2B | 116 BPM | ||
| Sita Ram Sita Ram Kahiye | Rudraa | D♭ Major | 8 | 3B | 147 BPM | ||
| Vo Naseebo Se Zyaada De Raha Hai | The Bundeli Artists | C Minor | 7 | 5A | 133 BPM | ||
| モール・バーイー | LANGAS, MANGANIYARS | E♭ Major | 3 | 5B | 104 BPM | ||
| Mohammad Ki Ulfat - Original | Aziz Mian | A Minor | 2 | 8A | 95 BPM | ||
| Mera Koi Nahin Hai | Amjad Sabri | E♭ Minor | 8 | 2A | 106 BPM | ||
| Ankhiyan Nu Rehan De | Reshma | B♭ Major | 3 | 6B | 120 BPM | ||
| Beraw Ke Del Az Aan | Haider Salim | B Minor | 3 | 10A | 141 BPM | ||
| Akhian Kise Naal Launa Bada Sokha Hunda | Faiz Ali Faiz | F♯ Minor | 8 | 11A | 118 BPM | ||
| Laikurachai Heit | Digambar Kutae, Kashiram Indolikar | C Major | 6 | 8B | 127 BPM | ||
| Neharyan Roz Raho | Nadeem Ali Dewano | B Major | 10 | 1B | 136 BPM | ||
| Anisako | Asmara All Stars, Mohammed Ahmed Shaabi | C Major | 7 | 8B | 180 BPM | ||
| Be Khud Kiye Dete Hain | Amjad Sabri | G Major | 9 | 9B | 107 BPM |