"Morning Prayer / Interlude By Tchaikovsky" by Public Domain, Craig Riley had its release date on 2007. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wedding Music #1 by Public Domain, Craig Riley. The song's track number on the album is #3 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Morning Prayer / Interlude By Tchaikovsky is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Morning Prayer / Interlude By Tchaikovsky by Public Domain, Craig Riley has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Morning Prayer / Interlude By Tchaikovsky being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hymn of Kassiane | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | ||
| La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
| Introitus: Exsurge, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B Minor | 0 | 10A | 131 BPM | ||
| 16 Morning Prayers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | G Major | 2 | 9B | 77 BPM | ||
| Credo 1 | Marek Klein | E Major | 0 | 12B | 125 BPM | ||
| II. Suitte En La Mineur: Sarabande (De Sainte Colombe Le Fils) | Monsieur de Sainte-Colombe, Public Domain, Jordi Savall | A♭ Minor | 0 | 1A | 93 BPM | ||
| Symphony No. 1 in G Minor, Op. 13 "Winter Dreams": IV. Finale (Andante lugubre – Allegro moderato – Allegro maestoso – Allegro vivo) | Pyotr Ilyich Tchaikovsky, Public Domain, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | G Major | 2 | 9B | 76 BPM | ||
| Back To Earth - Public Domain Remix | Yves Deruyter, Public Domain | F♯ Major | 9 | 2B | 140 BPM | ||
| Sederunt principes | Ars Veritas | A♭ Minor | 4 | 1A | 111 BPM | ||
| Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
| Lucernaire | Ecole gregorienne, Schola Saint-Bruno | A Major | 3 | 11B | 81 BPM | ||
| Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
| Ars Longa Vita Brevis | Trio al Dente | F Major | 2 | 7B | 134 BPM | ||
| Credo | Public Domain, Escolania Y Schola De La Abadia De Santa Cruz Del Valle De Los Caidos | E Minor | 1 | 9A | 75 BPM | ||
| Just A Gigolo | Century Jukebox, Jay Whidden, Public Domain | A♭ Major | 3 | 4B | 94 BPM | ||
| I'll Always Remember | Century Jukebox, Paul Whiteman, Public Domain | A♭ Major | 3 | 4B | 94 BPM | ||
| Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Gloria Excelsis | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 0 | 10B | 134 BPM | ||
| Gloria VIII, Mode V - Messe 1 Lux et Origo | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | D Major | 2 | 10B | 174 BPM | ||
| Kyrie VIII | Stirps Iesse, Enrico De Capitani | D Major | 1 | 10B | 71 BPM | ||
| I Can't Give Anything but Love | Century Jukebox, Paul Whiteman, Public Domain | A♭ Major | 3 | 4B | 94 BPM | ||
| Allegri: Miserere - 02. Amplius Lava Me | The Tallis Scholars, Peter Phillips | A♭ Major | 0 | 4B | 69 BPM | ||
| O Jesu Christe | Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | E♭ Major | 2 | 5B | 84 BPM | ||
| Antiphona: Alleluia, Alleluia, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A Major | 2 | 11B | 72 BPM | ||
| Requiem Aeternam | Gregorian Chants | C Major | 2 | 8B | 67 BPM |