Paul Taylor / Peter White's ' "Come Morning" was released on its scheduled release date, July 18, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "To Grover, With Love". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Come Morning is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Come Morning by Paul Taylor / Peter White having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Cha' Gonna Do for Me (feat. Wayman Tisdale) | Darren Rahn, Wayman Tisdale | F Minor | 7 | 4A | 106 BPM | ||
| Who Knows | Acoustic Alchemy | D♭ Minor | 5 | 12A | 91 BPM | ||
| Broken Register | Motion Ledger | A Major | 4 | 11B | 76 BPM | ||
| Where Were You When I Needed You | Everette Harp | G Minor | 7 | 6A | 166 BPM | ||
| Firefly | Tom Grant | C Major | 4 | 8B | 99 BPM | ||
| European Comfort | Gota | B Minor | 9 | 10A | 192 BPM | ||
| Snow Day | Tony Craddock, Jr., Cold Front | F Major | 8 | 7B | 100 BPM | ||
| 88 Ways to Love | Marcus Johnson | F Minor | 6 | 4A | 88 BPM | ||
| Shadow Register | Midtown Noir | A Major | 4 | 11B | 76 BPM | ||
| Black Frost | Everette Harp | C Minor | 8 | 5A | 85 BPM | ||
| Slow Brew | Joe Fuentes | B Minor | 7 | 10A | 90 BPM | ||
| Travelling Lite | Renato Falaschi | F Minor | 7 | 4A | 104 BPM | ||
| Wednesday | Rob Mullins | C Minor | 6 | 5A | 92 BPM | ||
| Coming Home | Amedeo | B♭ Minor | 6 | 3A | 144 BPM | ||
| Love Ballad | Terence Young | G Minor | 3 | 6A | 142 BPM | ||
| Saturday Afternoon | Norman Connors | F Major | 9 | 7B | 170 BPM | ||
| Jazz para dos corazones | Nach | A Major | 4 | 11B | 76 BPM | ||
| Hypnotique | Bill Sharpe | C Major | 6 | 8B | 122 BPM | ||
| Looking Back | Bob Mamet | A Minor | 7 | 8A | 96 BPM | ||
| Love Crazy | Roberto Restuccia | G Major | 7 | 9B | 108 BPM | ||
| Take Some Time Out | Oli Silk | F Minor | 7 | 4A | 85 BPM | ||
| Antarctic | Ellis Knight | C Minor | 3 | 5A | 102 BPM | ||
| Back To Love | Jeff Kashiwa | A♭ Minor | 6 | 1A | 98 BPM | ||
| Farfulla Crepuscular | Cromatica nocturna | A Major | 4 | 11B | 76 BPM | ||
| Circle Of Friends | Hiroshima | G Minor | 5 | 6A | 97 BPM |