Sandhya Mukherjee, Salil Chowdhury's ' "Ga Ga Re Pakhi Ga" was released on its scheduled release date, January 1, 2000. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 12 in Chayanika Salil Chowdhury Vol.3 by Salil Chowdhury, Satyendranath Dutta. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ga Ga Re Pakhi Ga is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ga Ga Re Pakhi Ga by Sandhya Mukherjee, Salil Chowdhury is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chinechhi Chinechhi Tomar E Mon Lukiye Reko Na (Mono) | Aarti Mukherji | D Minor | 2 | 7A | 78 BPM | ||
| Ghum Ghum Chand Jhikimiki Tara - Lofi | Ri8 Music, Sandhya Mukherjee | C Major | 5 | 8B | 140 BPM | ||
| Lajun Hasane | Hridaynath Mangeshkar | A Major | 3 | 11B | 150 BPM | ||
| Malabika Anamika | Bappi Lahiri | G Major | 5 | 9B | 94 BPM | ||
| Amar Moner Koner | Subhamita | B♭ Major | 4 | 6B | 144 BPM | ||
| Amar Raat Pohalo | Arundhati Holme Chowdhury | C Major | 2 | 8B | 127 BPM | ||
| Ashi Pankhare Yeti | Sudhir Phadke | F♯ Minor | 2 | 11A | 168 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| Ekgochha Rajonigandha | Hemant Kumar, Nachiketa Ghosh | F♯ Major | 3 | 2B | 108 BPM | ||
| Bistirna Dupare | Bhupen Hazarika | C Major | 4 | 8B | 119 BPM | ||
| Aaj Mone Hoi Ei Niralay | Satinath Mukherjee | F♯ Major | 3 | 2B | 120 BPM | ||
| Ei Path Jodi Na Shes Hoy (Rap Version) | Ami Valobasi, Ri8 Music, Hemanta Mukherjee, Sandhya Mukherjee | D♭ Major | 8 | 3B | 136 BPM | ||
| Ei Mayabi Tithi | Geeta Dutt | G Major | 4 | 9B | 111 BPM | ||
| Devi Sureswari Bhagabati Gange | Sandhya Mukherjee | B Minor | 2 | 10A | 138 BPM | ||
| Megh Kalo Andhar Kalo | Hemant Kumar, Nachiketa Ghosh | D Major | 2 | 10B | 130 BPM | ||
| Ogo Aar Kichhu To Naai | Lata Mangeshkar | E♭ Minor | 2 | 2A | 79 BPM | ||
| Koto Na Bhagye Amar | Ajoy Das, Asha Bhosle | D♭ Minor | 7 | 12A | 80 BPM | ||
| Jakhan Keu Amake Pagol Bale | Manna Dey | D♭ Major | 3 | 3B | 140 BPM | ||
| Eto Baro Akashtake | Arundhati Holme Chowdhury, Sudhin Dasgupta | E Major | 2 | 12B | 93 BPM | ||
| Tomar Hasite Bodhu | Kumar Sanu | F Minor | 8 | 4A | 118 BPM | ||
| Pakhire Tui | Subir Nandi | D♭ Major | 7 | 3B | 109 BPM | ||
| Kakhono Samay Aase | Kabir Suman | B Major | 4 | 1B | 103 BPM | ||
| Katoi Ranga Dekhi Duniyay | Amar Paul | C Major | 2 | 8B | 83 BPM | ||
| Amar Shwapne Dekha Rajkanya | Shyamal Mitra | F♯ Minor | 4 | 11A | 119 BPM | ||
| Manchheko Maya | Narayan Gopal, Gyanu Rana | D♭ Minor | 3 | 12A | 81 BPM |