"From Both Sides Now - Instrumental Solo" by Joni Mitchell, Noteservice Wind Band, Reid Gilje had its release date on June 28, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 54 in Another Way Home - New Music for Concert Band - Demo Tracks 2019-2020 by Noteservice Wind Band, Reid Gilje. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. From Both Sides Now - Instrumental Solo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of From Both Sides Now - Instrumental Solo by Joni Mitchell, Noteservice Wind Band, Reid Gilje is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| From Me to You - Remastered | Janis Ian | A♭ Major | 3 | 4B | 94 BPM | ||
| Fotheringay | Fairport Convention | A Minor | 2 | 8A | 123 BPM | ||
| Jesus, Etc. - 2022 Remaster | Wilco | C Major | 4 | 8B | 80 BPM | ||
| I Had a King | Joni Mitchell | E Minor | 2 | 9A | 108 BPM | ||
| Beeswing | Richard Thompson | F Major | 2 | 7B | 138 BPM | ||
| There But For Fortune | Joan Baez | F♯ Major | 1 | 2B | 102 BPM | ||
| Chimacum Rain | Linda Perhacs | C Major | 1 | 8B | 112 BPM | ||
| For Free | Joni Mitchell, Richard Stoltzman, Judy Collins, Nancy Allen, Eddie Gómez, Jeremy Wall, Bill Douglas | A♭ Major | 2 | 4B | 137 BPM | ||
| You Know More Than I Know | John Cale | C Major | 3 | 8B | 135 BPM | ||
| Ask Me No Questions | Bridget St John | F Minor | 9 | 4A | 160 BPM | ||
| Go Down Easy | John Martyn | B Minor | 0 | 10A | 145 BPM | ||
| Chelsea Morning | Joni Mitchell | E Major | 4 | 12B | 88 BPM | ||
| We Belong Together | Rickie Lee Jones | G Major | 2 | 9B | 68 BPM | ||
| Don't Forget | Martha Wainwright | E Major | 1 | 12B | 100 BPM | ||
| Stephanie Says | The Velvet Underground | C Major | 2 | 8B | 113 BPM | ||
| Helpless | k.d. lang | D Major | 3 | 10B | 129 BPM | ||
| I Used to Be a King | Graham Nash | F Major | 5 | 7B | 113 BPM | ||
| Love Oh Love Oh Love | Labi Siffre | F Major | 6 | 7B | 102 BPM | ||
| A Case of You | k.d. lang | B♭ Major | 2 | 6B | 172 BPM | ||
| The Sea | Fotheringay | A Major | 4 | 11B | 129 BPM | ||
| West Virginia | Maggie and Terre Roche | B♭ Major | 1 | 6B | 89 BPM | ||
| Jane, Jane | Tia Blake | E Minor | 1 | 9A | 103 BPM | ||
| Anticipation | Carly Simon | D Major | 3 | 10B | 100 BPM | ||
| Hey, Who Really Cares | Linda Perhacs | C Minor | 2 | 5A | 132 BPM | ||
| May You Never | John Martyn | E Major | 2 | 12B | 125 BPM |