Handel: Te decus virgineum, HWV 243 by George Frideric Handel, Mary Nichols/Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott, Taverner Players Song Details

"Handel: Te decus virgineum, HWV 243" by George Frideric Handel, Mary Nichols/Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott, Taverner Players had its release date on January 1, 1989. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Handel: Te decus virgineum, HWV 243's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Andrew Parrott's "Handel - Carmelite Vespers" album is number 24 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Handel: Te decus virgineum, HWV 243 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Handel: Te decus virgineum, HWV 243 by George Frideric Handel, Mary Nichols/Taverner Choir/Taverner Players/Andrew Parrott, Andrew Parrott, Taverner Players to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -26.855 dB
Acousticness: 81%
Danceability: 19%
Energy: 4%
Instrumentalness: 0%
Liveness: 15%
Loudness: 55%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	1	6A	82 BPM
Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XIX. [Menuet 2]	George Frideric Handel, Akademie für Alte Musik Berlin	F♯ Minor	0	11A	88 BPM
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	C Major	3	8B	114 BPM
Les Barricades Mystérieuses	François Couperin, Khatia Buniatishvili	B♭ Major	0	6B	149 BPM
Méditation from Thaïs	Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding	E Minor	1	9A	89 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro	Han De Vries, Bob van Asperen, Alma Musica Amsterdam	F♯ Minor	2	11A	106 BPM
Kol Nidrei, Op. 47	Max Bruch, Jan Vogler, Helmut Branny	D Major	1	10B	136 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Concerto Grosso in E Minor, Op. 6 No. 3, HWV 321: IV. Polonaise	George Frideric Handel, Academy of Ancient Music, Andrew Manze	F♯ Major	1	2B	98 BPM
Oboe Concerto in E Minor, TWV 51:E1: I. Andante	Georg Philipp Telemann, Marcel Ponseele, Il Gardellino	E♭ Minor	2	2A	98 BPM
Suite in D Minor: 2. Sarabande	Louis Couperin, Christopher Hogwood	D♭ Minor	1	12A	140 BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	4	6A	146 BPM
Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings)	Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks	G Minor	0	6A	84 BPM
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino	Anthony Camden, City of London Sinfonia, Nicholas Ward	C Minor	0	5A	48 BPM
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	C Minor	1	5A	180 BPM
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto	William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner	D Major	2	10B	152 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: III. Largo	George Frideric Handel, London Baroque	A Major	0	11B	77 BPM
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau	Jean-Philippe Rameau, Teodor Currentzis	A♭ Minor	1	1A	116 BPM
Notturno for Strings and Harp	Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe	A♭ Major	1	4B	75 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo	Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana	D Major	1	10B	78 BPM
Symphony in D Major, Op. 3, No. 2: II. Andantino	Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong	G Major	0	9B	113 BPM
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo	Pietro Locatelli, Capella Istropolitana	G Minor	1	6A	50 BPM
Piano Concerto No. 27 in B-Flat Major, K. 595: II. Larghetto	Wolfgang Amadeus Mozart, Sophie-Mayuko Vetter, Hamburger Symphoniker, Peter Ruzicka	E♭ Major	0	5B	67 BPM