R. シューマン, ザ・クラリネット・アンサンブル's ' "子供の情景 作品15 怖わがらせ (Arr. for 2ES Cl, A Cl, B-flat Cl , 2Basset Hr & Bass Cl)" was released on its scheduled release date, June 25, 2016. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 5つのミニアチューレ クラリネット・アンサンブルの芸術 Ⅰ, so we believe that "子供の情景 作品15 怖わがらせ (Arr. for 2ES Cl, A Cl, B-flat Cl , 2Basset Hr & Bass Cl)" is a single. In terms of popularity, 子供の情景 作品15 怖わがらせ (Arr. for 2ES Cl, A Cl, B-flat Cl , 2Basset Hr & Bass Cl) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 子供の情景 作品15 怖わがらせ (Arr. for 2ES Cl, A Cl, B-flat Cl , 2Basset Hr & Bass Cl) by R. シューマン, ザ・クラリネット・アンサンブル is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne, Op. 11 No. 2 | Anton Rubinstein, Nobuko Imai, Roland Pöntinen | G Major | 0 | 9B | 118 BPM | ||
| ハンガリー田園幻想曲 | Franz Doppler, 上野星矢 | B♭ Minor | 2 | 3A | 82 BPM | ||
| Childhood memories | Soft Melody | G Minor | 0 | 6A | 172 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 5a, Prelude in D Major | Dmitri Shostakovich, Sofia Sacco | D Major | 0 | 10B | 121 BPM | ||
| 3 Easy Pieces For Piano Duet: 1. March | Igor Stravinsky, Katia Labèque, Marielle Labèque | G Minor | 2 | 6A | 84 BPM | ||
| 12 Études d'exécution transcendante S139/R2b: No. 1 "Preludio" en ut majeur | Franz Liszt, Sheng Cai | F♯ Major | 1 | 2B | 70 BPM | ||
| 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. for Clarinet and Piano by R. Sévère) | Johannes Brahms, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 68 BPM | ||
| Rêve d'enfant, Op. 14 (Arr. for Violin & Piano) | Eugène Ysaÿe, Minami Teramoto, Mizuho Teramoto | B♭ Minor | 1 | 3A | 64 BPM | ||
| ゆりかご | G. フォーレ, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) | C Major | 0 | 8B | 63 BPM | ||
| Piano Trio in G: IV. Finale (Appassionato) | Claude Debussy, Trio Parnassus | E Minor | 0 | 9A | 177 BPM | ||
| Lieder ohne Worte - Live Recording | Felix Mendelssohn, Carlo Balzaretti | G Major | 0 | 9B | 63 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | C Major | 0 | 8B | 163 BPM | ||
| Barcarolle, Op. 27 No. 1 | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 2b, Fugue in A Minor | Dmitri Shostakovich, Sofia Sacco | D Minor | 2 | 7A | 122 BPM | ||
| Album Pour La Juennese, Op. 23: No. 4, Un Peu De Rêves | Henryk Pachulski, Anna Miernik | F Major | 1 | 7B | 123 BPM | ||
| Tournament for Twenty Fingers, Pt. 1: No. 4, Cradle Song | Stephen Dodgson, Emma Abbate, Julian Perkins | C Major | 0 | 8B | 73 BPM | ||
| 子供の情景 作品15 10 むきになって | R. シューマン, クラウス・シルデ(ピアノ) | A♭ Minor | 0 | 1A | 70 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Keyboard Sonata in D Minor, Wq. 51/4, H. 128, "Fortsetzung Sonata No. 4": II. Largo e sostenuto | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F Major | 0 | 7B | 84 BPM | ||
| 幻想曲 ハ長調 作品17 第二楽章 | R. シューマン, クラウス・シルデ(ピアノ) | E♭ Major | 1 | 5B | 72 BPM | ||
| Bach, JS / Arr. Saint-Saëns: Partita for Solo Violin No. 1 in B Minor, BWV 1002: VII. Tempo di borea | Johann Sebastian Bach, Stephen Hough | B Minor | 2 | 10A | 98 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
| Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM |