The Ink Spots's ' "Until the Real Thing Comes Along" was released on its scheduled release date, June 12, 1995. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Ink Spots's "If I Didn't Care" album is number 8 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of Until the Real Thing Comes Along is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Until the Real Thing Comes Along by The Ink Spots to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Is the Sweetest Thing | Al Bowlly | D♭ Major | 1 | 3B | 200 BPM | ||
| Sweet Madness | Bunny Berigan, Adrian Rollini And His Orchestra | E Major | 3 | 12B | 109 BPM | ||
| Sit And Dream | Laurie Stras | C Major | 3 | 8B | 96 BPM | ||
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| Lone Star | Jerry Burnham, Don Burnham | F♯ Minor | 6 | 11A | 84 BPM | ||
| In A Shanty In Old Shanty Town | Johnny Long | F Major | 3 | 7B | 168 BPM | ||
| Dear Hearts and Gentle People | Bob Crosby & The Bob Cats | E Major | 3 | 12B | 109 BPM | ||
| Makin' Whoopee | Eddie Cantor | E Major | 3 | 12B | 109 BPM | ||
| You're the Cream in My Coffee | Ruth Etting | E Major | 3 | 12B | 109 BPM | ||
| Poor Me Blues - Remaster | Edna Hicks | C Major | 4 | 8B | 80 BPM | ||
| Masquerade | Jack Hylton & His Orchestra | F Major | 2 | 7B | 178 BPM | ||
| Lazy Afternoon | Irene Kral | F Minor | 0 | 4A | 0 BPM | ||
| Big Note Blues | Bert Weedon | E Major | 3 | 12B | 109 BPM | ||
| Man Enough | Lynda Carter, John Jarvis, Kerry Marx | D Minor | 3 | 7A | 106 BPM | ||
| Luck Be a Lady | Robert Alda | G Major | 3 | 9B | 143 BPM | ||
| Salt Pork, West Virginia | Louis Jordan & His Tympany Five | A♭ Major | 3 | 4B | 130 BPM | ||
| It's Bad for Me (with The Benny Goodman Sextet) | Rosemary Clooney, Benny Goodman Sextet | F Major | 4 | 7B | 145 BPM | ||
| (I Got Spurs) Jingle Jangle Jingle | Kay Kyser | F Major | 3 | 7B | 95 BPM | ||
| If You Want the Rainbow | Lee Morse | E Major | 3 | 12B | 109 BPM | ||
| I'll Never Smile Again | Tommy Dorsey, Frank Sinatra, The Pied Pipers | C Major | 1 | 8B | 86 BPM | ||
| Blues In The Night | Cab Calloway | C Major | 2 | 8B | 91 BPM | ||
| Pass That Peace Pipe | Margaret Whiting | C Minor | 2 | 5A | 179 BPM | ||
| Old Fashioned Love | The Mills Brothers | D Major | 3 | 10B | 183 BPM | ||
| Give Me Five Minutes More | Tex Beneke | E Major | 3 | 12B | 109 BPM | ||
| Rosie The Riveter | Four Vagabonds | F Major | 3 | 7B | 201 BPM |