Springtime's ' "Don’t Leave Me Tonight" was released on its scheduled release date, January 1, 1983. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Springtime's "Music Pool Austria Collection of Releases from Springtime" album is number 22 out of 22. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Don’t Leave Me Tonight's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don’t Leave Me Tonight by Springtime to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Back To The Radio | Porridge Radio | A♭ Minor | 2 | 1A | 73 BPM | ||
| Phone Scam | Dry Cleaning | D Major | 9 | 10B | 165 BPM | ||
| Underwater Song | Adrian Crowley | C Minor | 4 | 5A | 74 BPM | ||
| It's Coming It's Real | Swans | A Major | 5 | 11B | 169 BPM | ||
| The Last One | Daniel Rossen | F Minor | 6 | 4A | 53 BPM | ||
| A Well-Made Woman | King Hannah | F♯ Major | 6 | 2B | 128 BPM | ||
| 7ft Tall Post-Suicidal Feel Good Blues | Nancy | E Major | 9 | 12B | 110 BPM | ||
| Birthday Party | Porridge Radio | A♭ Minor | 2 | 1A | 73 BPM | ||
| The Rip | Porridge Radio | A♭ Minor | 2 | 1A | 73 BPM | ||
| Echoes | Black Mountain | B Minor | 7 | 10A | 135 BPM | ||
| Reporting Of A Failed Campaign | Tropical Fuck Storm | D Minor | 9 | 7A | 147 BPM | ||
| The Mainline Song / The Lockdown Song | Spiritualized | B Minor | 7 | 10A | 121 BPM | ||
| I Don't Sweat | Tramhaus | C Major | 6 | 8B | 125 BPM | ||
| Song For A Friend | Whitney K | C Major | 6 | 8B | 121 BPM | ||
| Get My Bearings | Joan As Police Woman, Tony Allen, Dave Okumu, Damon Albarn | A Minor | 6 | 8A | 155 BPM | ||
| A Common Tern | Anna B Savage | F Major | 1 | 7B | 146 BPM | ||
| Return | Emma Ruth Rundle | F♯ Minor | 0 | 11A | 73 BPM | ||
| Russian Winter | Tamar Aphek | D Major | 9 | 10B | 123 BPM | ||
| John | The Golden Dregs | G Major | 6 | 9B | 120 BPM | ||
| Disappearing | Low | D♭ Major | 4 | 3B | 102 BPM | ||
| Big Moonlight (Ookii Gekkou) | Vanishing Twin | E Major | 6 | 12B | 85 BPM | ||
| Post Truth | Crack Cloud | G Major | 9 | 9B | 105 BPM | ||
| Bootlickers of the Patriarchy | Shilpa Ray | D♭ Major | 9 | 3B | 93 BPM | ||
| Smile | Springtime | D♭ Major | 7 | 3B | 135 BPM | ||
| Salt Coast | Kae Tempest | F♯ Major | 10 | 2B | 143 BPM |