"Escape from Chicago" by Brian Reitzell had its release date on May 27, 2014. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Escape from Chicago's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Watch Dogs (Original Game Soundtrack) by Brian Reitzell. The song's track number on the album is #13 out of 13 tracks. Based on our data, Canada was the country where this track was produced or recorded. Escape from Chicago is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Escape from Chicago by Brian Reitzell has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Escape from Chicago being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spies vs. Mercs | Kaveh Cohen, Michael Nielsen | D Major | 6 | 10B | 113 BPM | ||
| The Number of the Beast Is 666... | Brian Reitzell | G Minor | 0 | 6A | 84 BPM | ||
| Urban Sprawl | Nick Arundel | E Minor | 2 | 9A | 102 BPM | ||
| Choices and Decisions | Pawel Blaszczak | F Major | 1 | 7B | 161 BPM | ||
| The Beast Is On the Move | West Dylan Thordson | F♯ Major | 1 | 2B | 69 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| House of Blossoms | Luc St-Pierre | B♭ Minor | 3 | 3A | 220 BPM | ||
| Byzantium | Justin E. Bell | G Minor | 1 | 6A | 78 BPM | ||
| Mare Tranquillitatis | Acoustic Labs | F Major | 4 | 7B | 128 BPM | ||
| Minor Misconception / Planetarium (Gigi Masin Remix) / Ozu Choral | Prins Thomas, André Bratten, Brian Reitzell, Gigi Masin | D Major | 5 | 10B | 119 BPM | ||
| A Loving Message | Akiyuki Morimoto | D Minor | 0 | 7A | 70 BPM | ||
| Stellar Bay | Justin E. Bell | A Minor | 2 | 8A | 81 BPM | ||
| Have You Got My Location | Nick Arundel | F♯ Minor | 2 | 11A | 75 BPM | ||
| Emerald Vale | Justin E. Bell | A♭ Major | 2 | 4B | 102 BPM | ||
| The Great Red Dragon Pt. 1 | Brian Reitzell | G Major | 3 | 9B | 90 BPM | ||
| Live Free, Die Free | Justin E. Bell | F Major | 1 | 7B | 76 BPM | ||
| Unfamiliar Paths | Cliff Martinez | A Minor | 4 | 8A | 100 BPM | ||
| SHELLS | HEALTH | D♭ Major | 8 | 3B | 100 BPM | ||
| Save Room (Model Screen) | Masami Ueda | D♭ Major | 10 | 3B | 163 BPM | ||
| All Gone (Aftermath) | Gustavo Santaolalla, Alan Umstead | E Minor | 1 | 9A | 38 BPM | ||
| Superimposition | Valve | E♭ Major | 5 | 5B | 83 BPM | ||
| Prologue 2 | Ola Strandh | G Major | 8 | 9B | 164 BPM | ||
| Welcome to the Tombs | Bear McCreary | D♭ Major | 0 | 3B | 83 BPM | ||
| December and January | Mick Gordon | D Minor | 6 | 7A | 156 BPM | ||
| Nunnyunnini | Brian Reitzell | F Major | 3 | 7B | 92 BPM |