Ricardo Tanturi, Orquesta Típica Los Indios, Roberto Videla, Juan Puey, Reinaldo Yiso's ' "Como aquella muñeca" was released on its scheduled release date, April 30, 2017. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Como aquella muñeca's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 24 in Al compas de un tango (1940 - 1950) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Como aquella muñeca's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Como aquella muñeca by Ricardo Tanturi, Orquesta Típica Los Indios, Roberto Videla, Juan Puey, Reinaldo Yiso is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remolino | Orquesta Típica Sans Souci, Chino Laborde | G Major | 4 | 9B | 126 BPM | ||
| Vuelves | Orquesta Típica Osvaldo Fresedo, Roberto Ray | A Minor | 2 | 8A | 127 BPM | ||
| Mi Romance | Ricardo Tanturi, Orquesta T¡pica Los Indios, alberto Castillo, Jos‚ Ra£l Iglesias | D Minor | 5 | 7A | 107 BPM | ||
| Espérame En El Cielo | Rodolfo Biagi | G Minor | 5 | 6A | 122 BPM | ||
| La Cumparsita | Florindo Sassone Y Su Orquesta | G Minor | 2 | 6A | 113 BPM | ||
| Si Yo Pudiera Comprender | Orquesta Típica Sans Souci, Emiliano Castignola | C Minor | 3 | 5A | 123 BPM | ||
| Eras Como La Flor | Juan D'Arienzo y su Orquesta Típica | E Minor | 4 | 9A | 126 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Maragata | Aníbal Troilo, Francisco Fiorentino | C Major | 2 | 8B | 108 BPM | ||
| El Internado | Pablo Ramos & los Herederos del Compás | C Minor | 3 | 5A | 126 BPM | ||
| Cosas Olvidadas | Carlos Di Sarli, Roberto Rufino | C Minor | 3 | 5A | 140 BPM | ||
| Duerme mi niña | Orquesta Rodolfo Biagi, Mario Canaro, Víctor Prestipino | A Minor | 3 | 8A | 120 BPM | ||
| Que Te Importa Que Te Llore | Orquesta Típica Sans Souci | C Major | 3 | 8B | 122 BPM | ||
| Si Yo Pudiera Comprender | Miguel Caló, Raul Iriarte | D Major | 3 | 10B | 130 BPM | ||
| Se Va La Vida | Edgardo Donato & his orchestra | E Major | 3 | 12B | 130 BPM | ||
| Palomita mia | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 122 BPM | ||
| El Yaguarón | Rodolfo Biagi | G Major | 2 | 9B | 132 BPM | ||
| Milonga del 900 | Orquesta tipica Francisco Canaro | E Minor | 2 | 9A | 133 BPM | ||
| Quedemonos aqui | Jose Basso, Floreal Ruiz | A♭ Major | 3 | 4B | 118 BPM | ||
| Milonga Del Aguatero | Orquesta Tipica Victor | A Minor | 3 | 8A | 111 BPM | ||
| Indiferencia | Pablo Valle Sexteto | E♭ Major | 2 | 5B | 131 BPM | ||
| A La Gran Muñeca | Florindo Sassone Y Su Gran Orq. Tipica | A Minor | 3 | 8A | 59 BPM | ||
| Loca | Los Reyes Del Tango | E Minor | 4 | 9A | 136 BPM | ||
| Si no estuvieras tu | Orquesta Rodolfo Biagi, Carlos Almagro, Leo Lipesker, Victor Braña | A Minor | 3 | 8A | 120 BPM | ||
| Soñemos | Hugo Duval y Rodolfo Biaggi | B♭ Major | 2 | 6B | 121 BPM |