Guillermo Rizzotto's 'Permaneces en Mí' had a release date set for January 1, 2015. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Sólo Guitarra". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Permaneces en Mí's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Permaneces en Mí by Guillermo Rizzotto having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Balanço Em Mi | José Barrense-Dias | E Major | 3 | 12B | 120 BPM | ||
| 25 Etudes, Op.60: No.13 | Matteo Carcassi, Paco Hallak | A Major | 2 | 11B | 84 BPM | ||
| 12 Etudes, Op. 6: No. 2 | Mats Bergström | G Major | 2 | 9B | 156 BPM | ||
| Frio de Outono, Aquecido em Cristo Jesus | moacir báia | G Major | 1 | 9B | 75 BPM | ||
| Recital de Guitarra: Andante de "Sonatina" | Federico Moreno Torroba, Renata Tarragó | D Major | 0 | 10B | 135 BPM | ||
| Como una Luz (Instrumental) | Guillermo Rizzotto | D Major | 3 | 10B | 152 BPM | ||
| Narcos | Pom Guitarist | D Minor | 2 | 7A | 95 BPM | ||
| Saudade (When We Are Born) | Gian Marco Ciampa | G Major | 2 | 9B | 156 BPM | ||
| Enero: Enero | Miguel de santiago | E Minor | 4 | 9A | 120 BPM | ||
| Farfalle | Polso Lento | G Major | 2 | 9B | 156 BPM | ||
| Ayer es Siempre | Juan Falú | A Minor | 0 | 8A | 99 BPM | ||
| Enátura - Instrumental Version | Raul Cortes Guitar | G Major | 2 | 9B | 156 BPM | ||
| The clouds are calling | Ahmed El-Salamouny | E Minor | 1 | 9A | 108 BPM | ||
| Green Eyes | Ray Norris | A Minor | 2 | 8A | 113 BPM | ||
| Ay, Sinó... | Myriam Cubelos, Juancho Perone, Mariano Braun, Guillermo Rizzotto | D Major | 4 | 10B | 145 BPM | ||
| O Mundo É Um Moinho / Adiós Nonino | Gabriel Santiago | D Major | 1 | 10B | 90 BPM | ||
| Carcassi Study No.3 Op.60 | Mateo Carcassi, John Fulford Music | E Minor | 2 | 9A | 132 BPM | ||
| Ako'y Iyong Iyo | Raffy Lata | D Major | 1 | 10B | 75 BPM | ||
| Mi Mar | Carola Ortiz, Aleix Tobías, Giulia Valle, Sandrine Robilliard, Guillermo Rizzotto | C Minor | 2 | 5A | 127 BPM | ||
| Cinco de la tarde | Rodrigo Terrón | A Minor | 4 | 8A | 116 BPM | ||
| Prelude No. 3 | Dalit Raij, Shiri Coneh | B Minor | 2 | 10A | 161 BPM | ||
| Bebe | Dos Más Uno | D Major | 2 | 10B | 154 BPM | ||
| Serenade | Viktor Dahlgren | C Major | 2 | 8B | 90 BPM | ||
| Guajiras: 2ª Falseta | Juan María Real | G Major | 2 | 9B | 83 BPM | ||
| Cantos de mi tierra | José María Huertas, Dúo Ángel Barrios, Javier Santos | A Minor | 3 | 8A | 111 BPM |