"Always the Grown Up" by David Arnold, Michael Price had its release date on January 16, 2017. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Sherlock Series 4: The Final Problem (Original Television Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Always the Grown Up is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Always the Grown Up by David Arnold, Michael Price having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Are Coming | Carlos Viola | D Major | 1 | 10B | 67 BPM | ||
| In the Same Hotel | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Reichsmarschall | Dominic Lewis | D Minor | 1 | 7A | 188 BPM | ||
| The Meeting | Ólafur Arnalds | D Minor | 1 | 7A | 63 BPM | ||
| Detroit: Become Human Character Medley | The Blue Notes | C Minor | 1 | 5A | 88 BPM | ||
| The Lie in Leinster Gardens | David Arnold, Michael Price | A Minor | 1 | 8A | 125 BPM | ||
| Macabre Respite | Alex Roe | A♭ Major | 2 | 4B | 104 BPM | ||
| Build a Bomb | Harry Gregson-Williams | D♭ Major | 2 | 3B | 160 BPM | ||
| Thru the Basement | West Dylan Thordson | D♭ Minor | 3 | 12A | 128 BPM | ||
| Mr. Clay | Johnny Klimek, Tom Tykwer | C Minor | 4 | 5A | 120 BPM | ||
| The Picture Album | Jerry Goldsmith | A♭ Major | 1 | 4B | 67 BPM | ||
| Colour out of Space | Graham Plowman | A♭ Major | 1 | 4B | 133 BPM | ||
| Zeena's Spook Show | Nathan Johnson | B Minor | 1 | 10A | 137 BPM | ||
| Clean Your Desk | Ilan Eshkeri | D Minor | 2 | 7A | 99 BPM | ||
| Poison Cake With Milk | Chris Wirsig | G Minor | 1 | 6A | 117 BPM | ||
| I Fight for Myself | Trevor Morris | D♭ Minor | 4 | 12A | 116 BPM | ||
| Deceit | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Gewahrsam | Dominic Lewis | A Minor | 0 | 8A | 95 BPM | ||
| Full English | Dario Marianelli, Víkingur Ólafsson | F Minor | 2 | 4A | 119 BPM | ||
| Turn Left | Murray Gold | B♭ Minor | 10 | 3A | 175 BPM | ||
| Another Land | Olivier Deriviere | D Major | 0 | 10B | 82 BPM | ||
| David | Marc Streitenfeld | E Minor | 1 | 9A | 160 BPM | ||
| The Suffering Begins | Christopher Young | E Minor | 1 | 9A | 140 BPM | ||
| This Is No Coincidence | Jan Sanejko | E♭ Major | 5 | 5B | 93 BPM | ||
| Children of the Endless | David Buckley | E Major | 1 | 12B | 78 BPM |