Baksman's ' "Hedges Family" was released on its scheduled release date, December 6, 2025. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Hedges Family and no other songs are present in the album, we classify this track as a single. Hedges Family is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hedges Family by Baksman to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darum säet euch Gerechtigkeit, JLB 4: V. Sündensamen ist verloren | Johann Ludwig Bach, Carine Tinney, Capella Sollertia, Johanna Soller | B Minor | 2 | 10A | 67 BPM | ||
| Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
| Die Schöpfung Hob. XXI:2 / Erster Teil: 4. Chor mit Sopransolo: Mit Staunen sieht das Wunderwerk | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 1 | 8B | 91 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
| Catone in Utica, Act II: Se in campo armato | Leonardo Vinci, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | B Minor | 2 | 10A | 67 BPM | ||
| Zelenka: Laetatus sum, ZWV 90: VI. Sicut erat. Allegro assai | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | A♭ Major | 4 | 4B | 111 BPM | ||
| Confitebor tibi, Domine, RV 596: I. Terzetto, "Confitebor tibi, Domine" | Antonio Vivaldi, Margherita Maria Sala, Valerio Contaldo, Alessandro Ravasio, Coro e Orchestra Ghislieri, Giulio Prandi | B Major | 2 | 1B | 107 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Missa brevis in D Minor, K. 65: V. Benedictus | Wolfgang Amadeus Mozart, Carolina Ullrich, Elvira Bill, Cologne Cathedral Choir, Cologne Chamber Orchestra, Christoph Poppen | C Major | 1 | 8B | 106 BPM | ||
| Mass in D Major, Op. 86 / Credo: III. Et resurrexit | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| Mass in D Major, Op. 86, B. 175: I. Kyrie. Andante con moto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Marcela Machotkova, Stanislava Škatulová, Oldrich Lindauer, Dalibor Jedlicka | D Major | 2 | 10B | 169 BPM | ||
| Vivaldi: Orlando furioso, RV 728, Act 3: "Poveri affetti miei siete innocenti" (Angelica) | Antonio Vivaldi, Victoria de los Ángeles, Claudio Scimone, I Solisti Veneti | E♭ Major | 1 | 5B | 94 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: IVb. Bittgesang: Sei nun gnädig, milder Himmel! (Terzett und Chor) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Lina Johnson, Tilman Lichdi, Matthias Winckhler, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM | ||
| Requiem: Requiem: V. 4. Coro. Mors stupebit | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Minor | 2 | 4A | 113 BPM | ||
| Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21: VI. Wo bleibet dein Rasen | Johann Ludwig Bach, William Shelton, Michael Mogl, Sebastian Myrus, Capella Sollertia, Johanna Soller | B Minor | 2 | 10A | 67 BPM | ||
| Requiem in C Minor: Benedictus | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Major | 2 | 8B | 84 BPM | ||
| Requiem in C Minor, MH 155: Va. Sanctus et Benedictus. Sanctus | Michael Haydn, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King | F♯ Major | 1 | 2B | 129 BPM | ||
| Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear" | Henry Purcell, Elizabeth Gale, Thomas Allen, Jessye Norman, Marie McLaughlin, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 110 BPM | ||
| Requiem: Requiem: VIII. 7. Coro. Juste judex ultionis | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | C Minor | 2 | 5A | 78 BPM | ||
| As Pants the Hart, HWV 251b: VI. Why So Full of Grief, O My Soul? | George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet, Samuel Boden | A Major | 5 | 11B | 105 BPM | ||
| Giulio Cesare in Egitto, HWV 17 / Atto primo: Recitativo "La Reggia Tolomeo t'offre" - Live | George Frideric Handel, Marijana Mijanovic, Anne Sofie von Otter, Charlotte Hellekant, Jean-Michel Ankaoua, Alan Ewing, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour, Mirella Giardelli | A♭ Major | 2 | 4B | 107 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B Minor | 2 | 10A | 67 BPM | ||
| Great Mass in C Minor, K. 427: II. Gloria: Laudamus te | Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Marianne Beate Kielland, Le Concert Des Nations | B Minor | 2 | 10A | 67 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Cæli, audite, deplorate" (Angelus) | Johann Adolf Hasse, Thibault Noally, Les Accents, Julia Lezhneva | F♯ Major | 1 | 2B | 172 BPM | ||
| Semele, HWV 58 / Act 1: Ah! Ne! - O Jove! | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | C Minor | 0 | 5A | 96 BPM |