Unnikrishnan, Uthara Unnikrishnan, Haripriya, ANU, Rakshita's 'Nagendra Haraya' had a release date set for September 15, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 24 in Essential Chants for Children by Unnikrishnan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Nagendra Haraya is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Nagendra Haraya by Unnikrishnan, Uthara Unnikrishnan, Haripriya, ANU, Rakshita is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gangadharay Shiv Dhun | Lalitya Munshaw | D Major | 7 | 10B | 94 BPM | ||
| Bhaja Govindam - Language: Tamil; Genre: Vishnu-Narayan-Perumal | Unnikrishnan | D Major | 4 | 10B | 95 BPM | ||
| Shree Yamunashtakam - Traditional Raag | Female Chorus | D♭ Major | 4 | 3B | 100 BPM | ||
| Shree Swami Samartha Jai Jai Swami Samartha (Male Version) (Male Version) | Shreedar Phadke | D Major | 6 | 10B | 113 BPM | ||
| Anantha Premamrita Sai Anandadayi | Connecting Lives | B Minor | 5 | 10A | 131 BPM | ||
| Shendur Laal Chadayo (Aarti) | Kanakshri | F Major | 4 | 7B | 120 BPM | ||
| Siddha Kunjika Stotram | SHRI PREM PRAKASH DUBEY | F♯ Major | 4 | 2B | 179 BPM | ||
| Shri Ram Chandra Krupalu - Ram Stuti | Ketan Patwardhan | G Minor | 4 | 6A | 110 BPM | ||
| Payoji Maine Ram Ratan Dhan Payo - Bhajan | Lalitya Munshaw | B♭ Major | 5 | 6B | 160 BPM | ||
| Ranchhod Bavni | Dr. Dipali Bhatt, Foram Maheta, Ninad Maheta, Vijay Parmar | F Major | 8 | 7B | 139 BPM | ||
| Parvati Stotra | Swastika Mishra | F Minor | 7 | 4A | 150 BPM | ||
| Hanuman Ji Ki Aarti | Shri. Mridul Krishna Shastri | D♭ Major | 6 | 3B | 95 BPM | ||
| Parameshwaraya | Rishi Nityapragya | F Major | 6 | 7B | 118 BPM | ||
| Chamunda Mantra | Hemant Chauhan | F♯ Minor | 5 | 11A | 134 BPM | ||
| Om Namo Bhagavate | Prasath Sai, Vijaya Lakshmi | F Major | 6 | 7B | 135 BPM | ||
| Durga Aarti Durge Durgat Bhari | Ketaki Bhave Joshi | E♭ Major | 4 | 5B | 110 BPM | ||
| Shree Ramchandra Krupalu Bhajman | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | E♭ Minor | 4 | 2A | 132 BPM | ||
| Om Shum Shukraya Namah 108 Times In 5 Minutes | Dinesh Arjuna, Ravi Khanna | D Minor | 5 | 7A | 81 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM | ||
| Rudrashtakam (Shiva Chanting) | Priyankaa Bhattacharya | B Minor | 7 | 10A | 110 BPM | ||
| Aruna Ramana | Sri Sathya Sai | A♭ Major | 8 | 4B | 98 BPM | ||
| Parameshwaraya | Rishi Nityapragya | G Major | 4 | 9B | 102 BPM | ||
| Bhavayami Gopalabalam | Uthara Unnikrishnan | A Major | 4 | 11B | 140 BPM | ||
| Alara Chanchalalaina | Shanmuga Priya, Haripriya | A♭ Major | 5 | 4B | 141 BPM | ||
| Samadhi Bhavna | Arohi Anil Agarkar, Ragreshree Anil Agarkar | C Minor | 5 | 5A | 154 BPM |