"The Inflated Tear" by Rahsaan Roland Kirk, Jed Levy had its release date on 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rahsaan Roland Kirk's "Haunted Melodies - The Songs of Rahsaan Roland Kirk" album is number 3 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Inflated Tear is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Inflated Tear by Rahsaan Roland Kirk, Jed Levy to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abstrutions | Max Roach | D♭ Minor | 4 | 12A | 156 BPM | ||
| Jesus Maria | Jimmy Giuffre, Paul Bley, Steve Swallow | A Major | 0 | 11B | 140 BPM | ||
| Evening In Paris | Zoot Sims | F♯ Major | 2 | 2B | 63 BPM | ||
| Blues And The Abstract Truth | Oliver Nelson, Daniel Moore | G Minor | 6 | 6A | 116 BPM | ||
| Here's Where I Came In | Weldon Irvine | C Minor | 1 | 5A | 66 BPM | ||
| Yearnin' | Oliver Nelson | F Major | 3 | 7B | 107 BPM | ||
| Lonely Woman | Ornette Coleman | A Minor | 4 | 8A | 81 BPM | ||
| Four in the Evening | Chicago Underground Quartet | G Major | 2 | 9B | 111 BPM | ||
| The Barbara Song | Gil Evans | F Minor | 1 | 4A | 89 BPM | ||
| Night Lights | Gerry Mulligan Sextet | F Minor | 2 | 4A | 131 BPM | ||
| Steps | Cecil Taylor | D♭ Minor | 7 | 12A | 128 BPM | ||
| Four Winds | Dave Holland Quartet | E Minor | 5 | 9A | 120 BPM | ||
| A Taste of Honey | Paul Desmond | F Minor | 1 | 4A | 128 BPM | ||
| Cartoon | Paul Bley Trio | F♯ Minor | 3 | 11A | 89 BPM | ||
| Glass Moon | Leland Whitty | B Minor | 4 | 10A | 137 BPM | ||
| Body and Shadow - Night | Brian Blade & The Fellowship Band | F Minor | 0 | 4A | 173 BPM | ||
| Well, You Needn't | Thelonious Monk Septet | F Minor | 3 | 4A | 90 BPM | ||
| Tell Me When | Gerry Mulligan Sextet | D♭ Major | 0 | 3B | 69 BPM | ||
| My Delight | Rahsaan Roland Kirk | F Major | 4 | 7B | 102 BPM | ||
| The Sweet Time Suite, Part IV - For P.A. | Kenny Wheeler, Evan Parker, Dave Holland | D Major | 2 | 10B | 103 BPM | ||
| Conciliation | Yazz Ahmed | D Minor | 1 | 7A | 105 BPM | ||
| I Can't Wait Till I Get Home | Henry Threadgill | B Minor | 4 | 10A | 95 BPM | ||
| Hat And Beard | Eric Dolphy | A♭ Major | 6 | 4B | 82 BPM | ||
| Alone Together - Rudy Van Gelder Remaster 2006 | Kenny Dorham | F Minor | 1 | 4A | 61 BPM | ||
| Goodbye | McCoy Tyner Trio | C Major | 1 | 8B | 55 BPM |