Taking Over - Grabbitz Remix
Favright, Cassandra Kay, Grabbitz
Taking Over (The Remixes)
3:29 November 5, 2014
BPM
145
Key
G Minor
Camelot
6A

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Taking Over - Grabbitz Remix by Favright, Cassandra Kay, Grabbitz Song Details

Favright, Cassandra Kay, Grabbitz's 'Taking Over - Grabbitz Remix' had a release date set for November 5, 2014. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 3 in the song's album "Taking Over (The Remixes)". In this album, this song's track order is #1. Based on our statistics, Taking Over - Grabbitz Remix's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Taking Over - Grabbitz Remix by Favright, Cassandra Kay, Grabbitz having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.436 dB
Acousticness
0%
Danceability
58%
Energy
96%
Instrumentalness
0%
Liveness
8%
Loudness
91%
Speechiness
21%
Valence
30%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records