Paul Prashanth's ' "Oh Re Na Sakhuda" was released on its scheduled release date, July 31, 2019. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vijayeesam Films by Paul Prashanth. The song's track number on the album is #14 out of 15 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. Based on our statistics, Oh Re Na Sakhuda's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Oh Re Na Sakhuda by Paul Prashanth has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Oh Re Na Sakhuda being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Manasa Cheppamma | Paul Prashanth | G Minor | 9 | 6A | 142 BPM | ||
| Loti Ding'o Lang Heloving Paleji | Samson Engti | F Major | 4 | 7B | 130 BPM | ||
| Jaanu ( Full song) | Dilip Devgan | D♭ Minor | 7 | 12A | 136 BPM | ||
| Cosmic Shiva Meditation | Moksha — the sound of awakening | D Major | 3 | 10B | 150 BPM | ||
| Blooming Kaadhal | PRIZM | F♯ Major | 5 | 2B | 120 BPM | ||
| Lagamema Byati | Balakrishna Badthya | E Major | 7 | 12B | 94 BPM | ||
| Mannincheiva | Justin Prabhakaran, Krishna Tejasvi, Padmaja Sreenivasan, Rakendu Mouli | F♯ Major | 5 | 2B | 120 BPM | ||
| Oh Neser | Prem Terang | D Major | 6 | 10B | 122 BPM | ||
| MAIN JINDA HU LEKIN | Aparna Official | A♭ Minor | 3 | 1A | 100 BPM | ||
| Bandama therei ban | ZOORY | A♭ Minor | 4 | 1A | 140 BPM | ||
| Maharani | Santhosh Narayanan, Aditya Ravindran | E♭ Major | 4 | 5B | 200 BPM | ||
| Sogasu Keeljada Daana (Padhyam song) | Bheems Ceciroleo, Raghuram | F♯ Major | 5 | 2B | 120 BPM | ||
| Dard E Tanhai | Adeel Nadeem | B Minor | 2 | 10A | 103 BPM | ||
| Goriya Re Tore Pyar Me | Praveen Lugun, Garima Ekka, Pk Deep | D♭ Major | 8 | 3B | 180 BPM | ||
| Naa Devudu | Bro Anil Kumar | E Minor | 7 | 9A | 78 BPM | ||
| Sandamaama (From "Swag") | Rhithwik S. Chand, Vivek Sagar, Ramajogayya Sastry | A♭ Major | 7 | 4B | 128 BPM | ||
| Pirage Pirage | Divya Haobam | D Major | 6 | 10B | 102 BPM | ||
| Shukar Manava Main Tera | Nidhi Rastogi | B♭ Major | 5 | 6B | 95 BPM | ||
| Tare Chamke | Mongve Bey | A Major | 3 | 11B | 135 BPM | ||
| Akhi Luha Otha Piuchi | Humane Sagar, Prem Darshan | B♭ Minor | 5 | 3A | 108 BPM | ||
| Balare Balare Lale Lachu | Nagaraju Kasani | E♭ Minor | 9 | 2A | 150 BPM | ||
| Jathera Chori Jamunane | Devendar MM | A♭ Minor | 9 | 1A | 126 BPM | ||
| Aaey Re Mor Gori | Mamta Neha Lakra, Praveen Lugun | A Major | 5 | 11B | 150 BPM | ||
| Dosthulema Dhura Karagi | Mothilal Banjara | F♯ Major | 7 | 2B | 142 BPM | ||
| Chiguraku Chatu Chilaka | Manish Kumar | G Minor | 4 | 6A | 170 BPM |