Louis Armstrong's 'Fantastic, That's You' had a release date set for January 1, 1968. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Fantastic, That's You's duration is considered a little bit shorter than the average duration of a typical track. This song is part of What A Wonderful World by Louis Armstrong. The song's track number on the album is #9 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. Fantastic, That's You is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fantastic, That's You by Louis Armstrong has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Fantastic, That's You being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy He Calls Me | Anita O'Day | B♭ Major | 1 | 6B | 69 BPM | ||
| Comes Love | Ella Fitzgerald, Louis Armstrong | D Major | 3 | 10B | 134 BPM | ||
| At The Swing Cats Ball | Catherine Russell | A♭ Major | 7 | 4B | 90 BPM | ||
| On The Sunny Side Of The Street | Louis Armstrong | C Major | 3 | 8B | 95 BPM | ||
| Fly Me To The Moon | Tony Bennett | A♭ Major | 1 | 4B | 87 BPM | ||
| La Vie En Rose - 1996 Digital Remaster | Jo Stafford | G Major | 1 | 9B | 81 BPM | ||
| As Time Goes By | Jimmy Durante | D Major | 2 | 10B | 80 BPM | ||
| What a Difference a Day Makes | Bobby Darin | D Minor | 0 | 7A | 176 BPM | ||
| I Miss You So | Etta Jones | D Minor | 1 | 7A | 68 BPM | ||
| Embraceable You | Chet Baker | F Major | 0 | 7B | 67 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| At Last | Etta James | F Major | 3 | 7B | 87 BPM | ||
| The Good Life | Shirley Horn | D Major | 1 | 10B | 184 BPM | ||
| Can't Help Lovin' That Man | Julie London | F♯ Major | 0 | 2B | 83 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| I Get Along Without You Very Well (Except Sometimes) - Vocal Version | Chet Baker | B♭ Major | 0 | 6B | 103 BPM | ||
| MIchelle - Digitally Remastered 99 | Wayne Newton | F Minor | 2 | 4A | 128 BPM | ||
| When I Fall In Love | Miles Davis Quintet | F Major | 1 | 7B | 66 BPM | ||
| Moonglow | Billie Holiday | A Minor | 3 | 8A | 117 BPM | ||
| Out Of Nowhere | Charlie Parker | G Major | 2 | 9B | 65 BPM | ||
| My Mother's Eyes | Frankie Valli | E Major | 3 | 12B | 77 BPM | ||
| Stars Fell On Alabama | Ella Fitzgerald, Louis Armstrong | F Major | 1 | 7B | 65 BPM | ||
| How About You? - Remastered 1998 | Frank Sinatra | E Major | 2 | 12B | 118 BPM | ||
| On The Sunny Side Of The Street | Louis Armstrong, Sy Oliver's Orchestra | C Major | 3 | 8B | 97 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM |