Suraiya's ' "Ae Shama Tu Bata" was released on its scheduled release date, January 1, 1950. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Ae Shama Tu Bata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 9 in Dastaan by Naushad, Shakeel Badayuni. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ae Shama Tu Bata's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ae Shama Tu Bata by Suraiya is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Man Mein Uthe Uchhale | Snehprabha Pradhan, Hameeda Bano | D♭ Major | 3 | 3B | 73 BPM | ||
| Naam Aapka Hothon Pe Hai | Rehana | E Major | 5 | 12B | 143 BPM | ||
| Jhoom Utha Paagal Man | Salma Agha | G Major | 5 | 9B | 101 BPM | ||
| Aaya Re Pardesi Sajnawa | Ramchandra Pal, Rajkumari | E Minor | 4 | 9A | 117 BPM | ||
| Door Koi Gaye | Naushad, Shakeel Badayuni, Lata Mangeshkar, Shamshad Begum | A Minor | 2 | 8A | 87 BPM | ||
| Zaalim Zamaanaa Mujhako Tumase Chhudaa Rahaa Hai (From ''Dillagi'') | Shyam, Suraiya | D♭ Major | 2 | 3B | 121 BPM | ||
| Hai Apna Dil To Aawara Film - Solva Saal With Commentry | Hemant Kumar, Ameen Sayani, S. D. Burman | A♭ Major | 1 | 4B | 112 BPM | ||
| Pinjara Banaya Chandi Ka | Kirti Kumar | A Major | 1 | 11B | 81 BPM | ||
| Main Jis Mehfil Men | Kishore Kumar, Mahendra Kapoor, Suresh Wadkar, Laxmikant–Pyarelal | C Minor | 4 | 5A | 151 BPM | ||
| Kajre Ki Baati | K. J. Yesudas, Sulakshana Pandit | F Major | 4 | 7B | 134 BPM | ||
| Janam Janam Ka Tum Sang | Hemlata, Jaspal Singh | F♯ Minor | 6 | 11A | 161 BPM | ||
| Aawaz Deke Humen Tum - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mohammed Rafi | E Major | 4 | 12B | 163 BPM | ||
| Yaad Rakhna Pyar Ki Nishani | Hemant Kumar, Asha Bhosle | D Major | 2 | 10B | 116 BPM | ||
| Khaiyyam Hai Allahwala Matwala | Suraiya | A♭ Minor | 3 | 1A | 79 BPM | ||
| Jagdambike Jai Jai Jag Janani - Durga Stuti | Hari Om Sharan | E Major | 5 | 12B | 111 BPM | ||
| Saqiya Hosh Kahan Tha | Jagjit Singh | B Major | 5 | 1B | 85 BPM | ||
| Ghir Ghir Aaye Badarwa Kare | Talat Mahmood, Mubarak Begum | F Minor | 3 | 4A | 72 BPM | ||
| Aur Baat Ke Insaan Banke | Chandan Dass | A♭ Major | 7 | 4B | 98 BPM | ||
| Adaonse Hamari Na Bachpaoge - Dulha Bikta Hai / Soundtrack Version | Anwar, Sulakshana Pandit, Dilip Sharma | D Minor | 7 | 7A | 108 BPM | ||
| Ek Tajmahal Dil Mein | Anwar | A Major | 6 | 11B | 130 BPM | ||
| Meri Chalti Phirti Phoolwari | Maya Banerjee, Satish | A♭ Major | 9 | 4B | 160 BPM | ||
| Aawargi Hamari | Talat Aziz | E Major | 5 | 12B | 105 BPM | ||
| Malik Jage Banda Sove | Hari Om Sharan | D♭ Major | 6 | 3B | 79 BPM | ||
| Nainon Mein Preet Hai | Suraiya | E♭ Minor | 3 | 2A | 149 BPM | ||
| Rafta Rafta Woh Mere - Live | Anup Jalota | D Major | 6 | 10B | 143 BPM |