"Dear Ohana" by Ryo Natoyama had its release date on July 26, 2017. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Dear Ohana's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ryo Natoyama's "Home Away from Home,“HAWAI‘I”" album is number 5 out of 16. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Dear Ohana is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Dear Ohana by Ryo Natoyama to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 杏奈(ピアノバージョン) | Takatsugu Muramatsu | A Major | 0 | 11B | 113 BPM | ||
| 花~すべての人の心に花を | South Pitch | E♭ Major | 2 | 5B | 134 BPM | ||
| 時には昔の話を(紅の豚)harp version | Kyoto Harp Ensemble | F Major | 2 | 7B | 140 BPM | ||
| 虹の彼方に (映画『オズの魔法使い』より) | 榊原長紀 | A Minor | 1 | 8A | 137 BPM | ||
| Mother Sea | Little Carol | B♭ Major | 3 | 6B | 84 BPM | ||
| いつも何度でも(「千と千尋の神隠し」より)harp version | Kyoto Harp Ensemble | F Major | 1 | 7B | 127 BPM | ||
| close to me | Tatsuya Maruyama | A Major | 1 | 11B | 111 BPM | ||
| E O Mai feat. Sandii | Ryo Natoyama | G Major | 1 | 9B | 99 BPM | ||
| ジブリ・メドレー | Japan Ground Self Defense Force Central Band, 武田晃 | D Major | 5 | 10B | 137 BPM | ||
| 千と千尋の神隠し組曲(V. いつも何度でも) | Orita Nobotta, Siena Wind Orchestra | F Major | 2 | 7B | 87 BPM | ||
| Someone Precious | CONISCH | B♭ Major | 2 | 6B | 128 BPM | ||
| The Bygone Days | Vangakuz | D Major | 0 | 10B | 68 BPM | ||
| Kaze Ni Naru - Instrumental | Saori Mouri | C Major | 2 | 8B | 123 BPM | ||
| メアリのテーマ | Takatsugu Muramatsu | G Major | 5 | 9B | 100 BPM | ||
| 黄昏の彼方に | Masami Sato | D Major | 2 | 10B | 178 BPM | ||
| にじいろ | Yoshihiro Koseki | D Major | 1 | 10B | 182 BPM | ||
| Hotaru | Bryan Tolentino, Herb Ohta, Jr. | G Major | 2 | 9B | 78 BPM | ||
| Your Song | アコースフィア | G Major | 1 | 9B | 88 BPM | ||
| Always with Me (From “Spirited Away”) | Tifita | F Major | 2 | 7B | 119 BPM | ||
| One Summer Day from Spirited Away (Original Motion Picture Soundtrack) [feat. Sue] | Frank Kim, sue | A Major | 2 | 11B | 65 BPM | ||
| Brisa De Colores | Ousman Omai | F Minor | 2 | 4A | 90 BPM | ||
| 純な賛美 | 栗コーダーカルテット | G Major | 0 | 9B | 99 BPM | ||
| UREI | Tatsuya Maruyama | A Major | 4 | 11B | 122 BPM | ||
| ちょっとした幸せ | Kuricorder Quartet | C Major | 1 | 8B | 121 BPM | ||
| 夏の旅絵巻 | Takeshi Senoo | E♭ Major | 1 | 5B | 65 BPM |