Randy Sandke's New Yorkers's ' "Irish Black Bottom" was released on its scheduled release date, 1992. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Irish Black Bottom's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Stampede". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Irish Black Bottom is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Irish Black Bottom by Randy Sandke's New Yorkers having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Good Old Summertime | The Muscrat Ramblers | D Minor | 9 | 7A | 165 BPM | ||
| Black And Tan Fantasy | Earl Hines | F Major | 3 | 7B | 71 BPM | ||
| Margie | Benny Goodman Trio | B♭ Major | 6 | 6B | 133 BPM | ||
| Clarinete Marmelade | Black Bottom Stompers | F Major | 4 | 7B | 131 BPM | ||
| We Know | Andy Amelia | F Major | 4 | 7B | 153 BPM | ||
| Some of These Nights | Giorgio Cuscito | D Minor | 5 | 7A | 105 BPM | ||
| New Orleans Stomp | Louisiana Hot Seven | F Major | 4 | 7B | 188 BPM | ||
| Abduł Bey | Jazz Band Młynarski-Masecki | C Minor | 4 | 5A | 125 BPM | ||
| Welcome to Australia (Overture) | David Hirschfelder, David Gulpilil | G Major | 6 | 9B | 116 BPM | ||
| Mr. Rhythm | Glenn Crytzer, Meschiya Lake | G Major | 4 | 9B | 183 BPM | ||
| Anema e core | Piero Umiliani e la sua Orchestra | B Minor | 2 | 10A | 88 BPM | ||
| I'm Comming Virginia | Dave Harmer's New Orleans Hot Shots, David Harmer | E♭ Major | 2 | 5B | 117 BPM | ||
| Heavenly Thing | Carsie Blanton | B♭ Major | 4 | 6B | 179 BPM | ||
| Love's in My Heart | Reverent Juke | F Major | 3 | 7B | 172 BPM | ||
| Topsy | Havana Swing | F Major | 4 | 7B | 97 BPM | ||
| Stampede | Randy Sandke's New Yorkers | F Minor | 1 | 4A | 110 BPM | ||
| Yesterdays | Floyd Cramer | A Minor | 3 | 8A | 94 BPM | ||
| Does Jesus Care | Monty Sunshine's Jazz Band | B♭ Major | 5 | 6B | 121 BPM | ||
| Harlem Holiday | Vince Giordano And The Nighthawks | F Major | 5 | 7B | 193 BPM | ||
| I Can't Believe You're In Love With Me | Boilermaker Jazz Band | F Major | 7 | 7B | 171 BPM | ||
| After the Ball | Don Albert, Louis Cottrell, Waldren "Frog" Joseph, Jeanette Kimball, Placide Adams, Paul Barbarin | B♭ Major | 5 | 6B | 178 BPM | ||
| You're the Top | Pasadena Roof Orchestra | G Minor | 4 | 6A | 94 BPM | ||
| Milneburg Joys | Preservation Hall Jazz Band | A♭ Major | 5 | 4B | 200 BPM | ||
| Pappy's B-Flat Blues | Woody Allen, Eddy Davis, Greg Cohen, Simon Wettenhall, Jerry Zigmont, Cynthia Sayer, Rob Garcia | B♭ Major | 2 | 6B | 69 BPM | ||
| Jeep's Blues | Reverent Juke | F Major | 2 | 7B | 77 BPM |