Renuka Mathur, Promila, Seema Raj, Pop Shalini, Rama's ' "Jala Re Aamliya" was released on its scheduled release date, August 7, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rajasthani Lok Nritya Vol-8". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Jala Re Aamliya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Jala Re Aamliya by Renuka Mathur, Promila, Seema Raj, Pop Shalini, Rama having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aesa Kya Kaam Kiya | Kunj Bihari Das | F♯ Major | 5 | 2B | 84 BPM | ||
| Paunahari Teri Sada Hi Jai Jaikar | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | A♭ Major | 7 | 4B | 115 BPM | ||
| Inse Bachke Rahiyo Re Superhits Bundeli Rai | Raju Patel, Dhaniram Sen | C Major | 10 | 8B | 126 BPM | ||
| Vrindavan Ki Lalit Latan Mein | Hita Ambrish | B Minor | 6 | 10A | 102 BPM | ||
| Duniya Ka Bada Sataya Hoon | Shresth Dixit | D♭ Major | 4 | 3B | 78 BPM | ||
| Tera Diwla Jagmag Hoi | Gyanendra Sharma | A♭ Major | 7 | 4B | 137 BPM | ||
| Meera Dekhe Baat Khadi | Kumar Vishu | B♭ Minor | 4 | 3A | 95 BPM | ||
| Ari Mero Marg Rokyo Krishan Kanahaiya Ne | Sur Shyam Gaushala Rajendra Das ji Maharaj | D♭ Minor | 6 | 12A | 128 BPM | ||
| Mharo Gorbandh Nakhralo | Renuka Mathur, Rajani Sharma | G Minor | 7 | 6A | 191 BPM | ||
| Devar Mharo Re | Renuka Mathur, Promila, Seema Raj, Pop Shalini, Rama | D♭ Major | 5 | 3B | 134 BPM | ||
| सत्संग अमर जड़ी संत भजन | Sant Bhajana Nand | C Minor | 7 | 5A | 132 BPM | ||
| Ekla Mat Chhodjo | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Pure Vishwa Pe Rakh Do Sai | Paras Jain | B Major | 8 | 1B | 91 BPM | ||
| Dena Ho To Dijiye | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Jambheswar Bhagwan Dyalu Sabki Laj Bchave | Swami Sachchidanand Acharya | F♯ Major | 9 | 2B | 75 BPM | ||
| Teri Ban Jaihe Ram Gun Gaye Se | Pujya Rajan Ji Official | B♭ Minor | 6 | 3A | 138 BPM | ||
| Aaju mon laagay udaas | Maithili Thakur | D♭ Major | 6 | 3B | 148 BPM | ||
| Ram Taju Pe Guru Na Bisaru | Hita Ambrish | E Minor | 9 | 9A | 119 BPM | ||
| Siyaram Jay Ram Jay Jay Ram | Chintu Sewak | C Major | 8 | 8B | 105 BPM | ||
| Khanji Khudaya Kuwa Bapdi | Renuka Mathur, Rajani Sharma | A♭ Minor | 7 | 1A | 200 BPM | ||
| Trupati Bala Ji Ka Naam Japle | Babla Mehta | F Minor | 4 | 4A | 75 BPM | ||
| Zulmi Dheere Bolo | Mamta Singh | D♭ Major | 8 | 3B | 116 BPM | ||
| Sunu Janani Soi Sut Badbhagi (Ramayan Chaupai) - Live | Pujya Rajan Ji Official | E♭ Major | 5 | 5B | 70 BPM | ||
| Sampurna Sundarkand Part 3 | Sudhir Vyas | A Major | 7 | 11B | 80 BPM | ||
| Ranu Bai Ka Aangana Ma | Vaishali Sen, Motha Kharte | F♯ Major | 5 | 2B | 91 BPM |