On January 1, 2004, the song "Gora Gora Gal Thara" was released by Seema Mishra, Rakesh Kala. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Seema Mishra, Rakesh Kala's "Lehariyo, Pt. 2 (Rajasthani Holi Songs)" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Gora Gora Gal Thara's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gora Gora Gal Thara by Seema Mishra, Rakesh Kala to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sajh Dajh Baite Bherunath | Vaibhav Bagmar Balotra | A♭ Major | 8 | 4B | 140 BPM | ||
| Baba Ramdevji Thane Khamma Ghani | Prakash Mali, Chunnilal Rajpurohit, Mahendrasingh Chohan | B♭ Minor | 9 | 3A | 94 BPM | ||
| Prarthna Hai Yahi Meri Hanuman Ji | Devendra Pathak | E♭ Minor | 8 | 2A | 134 BPM | ||
| Bakhri Ke Tuma Nar | Lakshman Masturiya, Kavita Vasnik | E♭ Minor | 9 | 2A | 150 BPM | ||
| Palkon Ka Ghar Taiyar Sanwre | Kumar Deepak | D♭ Major | 8 | 3B | 138 BPM | ||
| Kaise Mann Ke Kahav Re Sangi Baat | Ghanshyam Mahanand, Alka Chandrakar | F♯ Major | 7 | 2B | 98 BPM | ||
| O Sawariya Aankhya Khol | Sanju Sharma | F♯ Major | 6 | 2B | 135 BPM | ||
| Leke Chalo Palki Shirdi Ke Nath Ki | Sachidanand Appa | A♭ Major | 5 | 4B | 130 BPM | ||
| Bajudar Bangadi | Seema Mishra | A♭ Major | 5 | 4B | 130 BPM | ||
| Choti Nanduli Ko Byah | Seema Mishra | F♯ Minor | 4 | 11A | 100 BPM | ||
| Subah Subah Jab Bhi Meri Aankhe Khulti Hai | Kanhiya Mittal | A♭ Minor | 6 | 1A | 75 BPM | ||
| Dudhari - Paunahaari | Rakesh Kala | E Major | 4 | 12B | 173 BPM | ||
| Ghodliyo Mangva De Mari Maa | Shyam Paliwal | F Major | 6 | 7B | 138 BPM | ||
| Guru Gorakh Aaye | Kala Ram, Renu Kumar | F♯ Minor | 10 | 11A | 98 BPM | ||
| Rumjhum Karta Padharo Bheruji | Vaibhav Bagmar | A♭ Major | 4 | 4B | 130 BPM | ||
| Gar Zor Mero Chale | Reshmi Sharma | C Minor | 10 | 5A | 108 BPM | ||
| Hey Bajrangi Balaji | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | G Major | 8 | 9B | 91 BPM | ||
| Kabo Banke Sati Kunwari | Pawan Singh | D♭ Major | 8 | 3B | 134 BPM | ||
| Naam Tumhara Taran Hara | Rakesh Kala, Ramesh Tanwar, Shailendra, Anjali Jain | B Major | 5 | 1B | 96 BPM | ||
| Hit Kamu Milam Jauhara | Lalit Mohan Joshi | D♭ Major | 5 | 3B | 95 BPM | ||
| Likh Do Mare Rom Rom Me | Radha Krishnaji Maharaj | F♯ Major | 4 | 2B | 144 BPM | ||
| Mujhe Bharosa Hai | Sanjay Pareek | B♭ Minor | 7 | 3A | 98 BPM | ||
| Ghumat Firat Abe Mor Ganv | Gofelal Gendle | A♭ Major | 9 | 4B | 85 BPM | ||
| Shyam Teri Bansi Pagal Kar Jati Hai | Rakesh Kala | A♭ Major | 9 | 4B | 140 BPM | ||
| Sobni Tu Chhali Baachin | Preetam Bhartwan, Sangeeta Dhoundiyal | F♯ Minor | 6 | 11A | 98 BPM |