On 2014, the song "子守歌 作品41a-1" was released by R.Strauss, 池田昭子(オーボエ), 石田三和子(ピアノ). With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 小さな羊飼い, so we believe that "子守歌 作品41a-1" is a single. The popularity of 子守歌 作品41a-1 is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 子守歌 作品41a-1 by R.Strauss, 池田昭子(オーボエ), 石田三和子(ピアノ) is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Casals: El cant dels ocells | Pablo Casals, Han-Na Chang, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Minor | 0 | 8A | 88 BPM | ||
| Serenade for Strings in C major, Op. 48: III. Elegie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | D Major | 1 | 10B | 78 BPM | ||
| The Pepperland Suite: IV. Sea of Monsters | George Martin, Berlin Music Ensemble, Craig Leon | G Major | 1 | 9B | 115 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| One Last Wish - From “Casper” Soundtrack | James Horner | E Minor | 0 | 9A | 97 BPM | ||
| 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. for Clarinet and Piano by R. Sévère) | Johannes Brahms, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 68 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim | E♭ Major | 0 | 5B | 56 BPM | ||
| Symphony No. 5 in C-Sharp Minor, Dritte Abteilung: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel | D Major | 2 | 10B | 117 BPM | ||
| Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
| The Godfather: Waltz (Arr. M. Keller) | Ulrich Herkenhoff, Kurpfälzisches Kammerorchester, Frank Zacher | A Minor | 1 | 8A | 130 BPM | ||
| 交響曲第4番 ニ短調 op. 120: II. Romanze (Ziemlich langsam) | Robert Schumann, Max Pommer, 札幌交響楽団 | B Major | 0 | 1B | 101 BPM | ||
| tema principale: orchestra dedicata ai maestri | Shiro SAGISU | F Minor | 3 | 4A | 87 BPM | ||
| Concerto for Violin and Orchestra (To the memory of my mother): III. Allegro, ma non troppo | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 76 BPM | ||
| Bachianas brasileiras No. 1: III. Fugue. Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
| Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | B♭ Major | 0 | 6B | 119 BPM | ||
| Don Giovanni, K. 527: Deh, vieni alla finestra (Arr. for Oboe & Orchestra by François Leleux) | Wolfgang Amadeus Mozart, François Leleux, Camerata Salzburg | D Minor | 8 | 7A | 122 BPM | ||
| Giselle, Act 2: No. 15 Wilis exit, Albrecht at Giselle’s grave, Giselle appears to Albrecht - No. 16 Pas de Deux Giselle and Albrecht | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| Credits - Tristan and Isolde | The City of Prague Philharmonic Orchestra | C Major | 0 | 8B | 69 BPM | ||
| Méditation de Thaïs (Arr. Cullen for Cello and Orchestra) | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
| Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | B Major | 0 | 1B | 119 BPM | ||
| Zdes' khorosho, Op. 21, No. 7 | Sergei Rachmaninoff, Yo-Yo Ma, Kathryn Stott | A Major | 0 | 11B | 88 BPM | ||
| Lyric Pieces, Book 3, Op. 43, No. 5. Erotic: Lyric Pieces, Book 3, Op. 43: No. 5, Erotic (Arr. R. Tognetti for violin and string orchestra) | Edvard Grieg, Richard Tognetti, Australian Chamber Orchestra | F Major | 0 | 7B | 92 BPM | ||
| Romance in G Major, Op. 26 | Johan Svendsen, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 76 BPM | ||
| 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher Pekinel | E♭ Major | 1 | 5B | 82 BPM |